Silence: Lectures and Writings, 50th Anniversary EditionWesleyan University Press, 26.06.2012 - 312 Seiten John Cage is the outstanding composer of avant-garde music today. The Saturday Review said of him: "Cage possesses one of the rarest qualities of the true creator- that of an original mind- and whether that originality pleases, irritates, amuses or outrages is irrelevant." "He refuses to sermonize or pontificate. What John Cage offers is more refreshing, more spirited, much more fun-a kind of carefree skinny-dipping in the infinite. It's what's happening now." –The American Record Guide "There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. Sounds occur whether intended or not; the psychological turning in direction of those not intended seems at first to be a giving up of everything that belongs to humanity. But one must see that humanity and nature, not separate, are in this world together, that nothing was lost when everything was given away." |
Im Buch
Ergebnisse 1-5 von 29
... determine pitch, duration, dynamics, and other aspects of notes, to cre— ate a music totally independent of his own tastes and preferences. This was radical, but not as radical as the piece he wrote the following year, using the I Ching ...
... determine the disposition of musical materials, thus removing himself from the results and severing any connection between his personal tastes and his music. And in 1952 he presented nothing most vividly in the form of 4'33”. No aspect ...
... . Several others were composed and delivered as conventional informative lectures (without shocking their audiences for that reason, so far as I could determine). This collection does not include all that I have written; xxx/SILENCE.
... determination, and that this determination is knowing, having, in fact, a particular, if unconventional, ordering of ... determined? For, when, after convincing oneself ignorantly that sound has, as its clearly defined opposite, silence ...
... structure was determined by the materials which were to occur in it; it was conceived, in fact, so that it could be as well expressed by the absence of these materials as by their presence. flIn terms. COMPOSITION AS PROCESS/'l9.
Inhalt
3 | |
13 | |
35 | |
57 | |
F orerunners of M odern Music 62 | 1943 |
Erik Satie 76 | 1958 |
Edgard Varese 83 | 1965 |
On Robert Rauschenherg Artist and His Work 98 | 1 |
Lecture on Something 128 | 1 |
45 for a Speaker 146 | 1 |
Where Are We Going? and What Are We Doing? 194 | |
Indeterminacg 260 | |