Musicage: Cage Muses on Words, Art, Music

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Wesleyan University Press, 1996 - 360 Seiten
1 Rezension
"I was obliged to find a radical way to work -- to get at the real, at the root of the matter," John Cage says in this trio of dialogues, completed just days before his death. His quest for the root of the matter led him beyond the bounds of the conventional in all his musical, written, and visual pieces. The resulting expansion of the definition of art -- with its concomitant emphasis on innovation and invention--earned him a reputation as one of America's most influential contemporary artists.

Joan Retallack's conversations with Cage represent the first consideration of his artistic production in its entirety, across genres. Informed by the perspective of age, Cage's comments range freely from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multimedia works. A composer for whom the whole world -- with its brimming silences and anarchic harmonies -- was a source of music, Cage once claimed, "There is no noise, only sounds." As these interviews attest, that penchant for testing traditions reached far beyond his music. His lifelong project, Retallack writes in her comprehensive introduction, was "dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes." Consummate performer to the end, Cage delivers here just such a conjunction -- a tour de force that provides new insights into the man and a clearer view of the status of art in the 20th century.
  

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Musicage: Cage muses on words, art, music

Nutzerbericht  - Not Available - Book Verdict

This compilation of Cage's most recent thoughts on art, language, and aesthetics is successful in large measure because of the thoughtful and intelligent questioning by Retallack, a poet and essayist ... Vollständige Rezension lesen

Review: Musicage: Cage Muses on Words * Art * Music

Nutzerbericht  - Tim Franklin - Goodreads

Really wonderful. I felt like I was having tea with John Cage. Vollständige Rezension lesen

Inhalt

List of Illustrations
xi
September 67 1990 John Cage and Joan Retallack
43
A Selected Cage Computer Programs
315
E Notated Time Bracket Sheets for Thirteen 1992 Pages 14 15 16
328
H Excerpts from Score for Europera j
333
Europera 5 at MOMA
340
N First Page of Ten 1991 Violin 1
346
Urheberrecht

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Über den Autor (1996)

JOHN CAGE was born in Los Angeles in 1912. He studied music with Adolph Weiss, Arnold Schoenberg, and others, later collaborating with artists such as Merce Cunningham, Robert Rauschenberg, and Jasper Johns. He died in 1992. JOAN RETALLACK is the author of eight books of poetry including Afterrimages (also published by Wesleyan) as well as numerous essays on John Cage, four of which appear in her critical volume, The Poethical Wager. MUSICAGE was chosen for the America Award in Belles-Lettres in the year of its publication. Retallack is the John D. & Catherine T. MacArthur Professor of Humanities at Bard College.

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