Writing Machines

Front Cover
MIT Press, 2002 - 144 pages
4 Reviews

Tracing a journey from the 1950s through the 1990s, N. Katherine Hayles uses the autobiographical persona of Kaye to explore how literature has transformed itself from inscriptions rendered as the flat durable marks of print to the dynamic images of CRT screens, from verbal texts to the diverse sensory modalities of multimedia works, from books to technotexts.Weaving together Kaye's pseudo-autobiographical narrative with a theorization of contemporary literature in media-specific terms, Hayles examines the ways in which literary texts in every genre and period mutate as they are reconceived and rewritten for electronic formats. As electronic documents become more pervasive, print appears not as the sea in which we swim, transparent because we are so accustomed to its conventions, but rather as a medium with its own assumptions, specificities, and inscription practices. Hayles explores works that focus on the very inscription technologies that produce them, examining three writing machines in depth: Talan Memmott's groundbreaking electronic work Lexia to Perplexia, Mark Z. Danielewski's cult postprint novel House of Leaves, and Tom Phillips's artist's book A Humument. Hayles concludes by speculating on how technotexts affect the development of contemporary subjectivity.Writing Machines is the second volume in the Mediawork Pamphlets series.

  

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Review: Writing Machines

User Review  - M. - Goodreads

Reading this was a sort of interesting experience, as it deals with ideas I've been running through my head for a couple years now (namely new forms of textuality that are a confluence of hyptertext ... Read full review

Review: Writing Machines

User Review  - Joel stillman - Goodreads

"Digital media have given us an opportunity we have not had for the last several hundred years: the chance to see print with new eyes, and with it, the possibility of understanding how deeply literary ... Read full review

Contents

I
8
II
18
III
34
IV
46
V
64
VI
76
VII
100
VIII
108
IX
138
X
140
XI
142
Copyright

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Page 7 - Virtual Bodies and Flickering Signifiers," in How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics (Chicago: University of Chicago Press, 1999), pp.

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About the author (2002)

Anne Burdick is the design editor of ebr -- The Electronic Book Review.

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