The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 14
... Giesecke more or less gave up the theater for mineralogy , and thereafter he traveled here and there , becom- ing a professor at the University of Dublin in 1813 and a mem- ber of the Royal Academy of Ireland in 1817. In 1818 , return ...
... Giesecke more or less gave up the theater for mineralogy , and thereafter he traveled here and there , becom- ing a professor at the University of Dublin in 1813 and a mem- ber of the Royal Academy of Ireland in 1817. In 1818 , return ...
Seite 15
... Giesecke was taking his first steps in it . Therefore it is very tempting to imagine Born suggesting the ideas , Schikaneder theatricalizing them and drawing up the comic scenes , Giesecke providing him with the serious scenes -and all ...
... Giesecke was taking his first steps in it . Therefore it is very tempting to imagine Born suggesting the ideas , Schikaneder theatricalizing them and drawing up the comic scenes , Giesecke providing him with the serious scenes -and all ...
Seite 321
... Giesecke and his " revelations , " see Dent , pp . 306-16 ; the critiques by Komorzynski ; and Otto Rommel , Geschichte der altwiener Volkskomödie . 7 Koch , p . 13 , it is true , names Giesecke , as a member of the Loge zur ...
... Giesecke and his " revelations , " see Dent , pp . 306-16 ; the critiques by Komorzynski ; and Otto Rommel , Geschichte der altwiener Volkskomödie . 7 Koch , p . 13 , it is true , names Giesecke , as a member of the Loge zur ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte