The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 18
... tion to a few passages , " he writes . " But he laughed at every- thing . Well , I could stand it no longer . I ... tion , but the words of the libretto . The Massins have even observed that the big , solemn scene in the second act ...
... tion to a few passages , " he writes . " But he laughed at every- thing . Well , I could stand it no longer . I ... tion , but the words of the libretto . The Massins have even observed that the big , solemn scene in the second act ...
Seite 27
Jacques Chailley. tion , already referred to , gives the more or less standard pres- ent state of the story : 5 The ... tion that must be examined cautiously . What is certain is that in no case can we consider the libretto as we The ...
Jacques Chailley. tion , already referred to , gives the more or less standard pres- ent state of the story : 5 The ... tion that must be examined cautiously . What is certain is that in no case can we consider the libretto as we The ...
Seite 180
... tion . The theme resumes for a second development , which is of a very different nature : by its tormented harmony and by the incessant modulations of its " tonal journey , " this part evokes the trials of the symbolic " journey " of ...
... tion . The theme resumes for a second development , which is of a very different nature : by its tormented harmony and by the incessant modulations of its " tonal journey , " this part evokes the trials of the symbolic " journey " of ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte