The Oxford History of Music: The Viennese period

Adagio Allegro Andante appears aria artistic attained Austrian Bach's beauty Beethoven C. P. E. Bach career character Cherubini choral Church clarinet clavichord clavier colour composer composition concerto contemporary contrapuntal contrast counterpoint cres devices doubt dramatic early eighteenth century Eisenstadt emotional example expression famous Fidelio folk-song followed French fugues G major genius German Gluck Guerre des Bouffons HADOW Handel harmonic harpsichord Hasse Haydn and Mozart influence instance instrumental Italian Italy J. S. Bach Joseph Haydn later less lyric Mass master melody method Michael Haydn minor modulation movement musician oboes opening opera oratorio orchestra overture Paris passages passion period phrase piano pianoforte pupil quintet remarkable rondo Sarti scheme Schubert score solo sonata song Spohr stage string quartets style success symphony theatre theme tone treatment trio true tune Vienna Viennese viola violin voice whole wholly writing written wrote