For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 79
... Atlas Eclipticalis , of astronomical maps , borrowed from the Wesleyan University Library , which dictated the topography itself of your score . J.C .: You're talking about a topography . You're making an object out of what's nothing ...
... Atlas Eclipticalis , of astronomical maps , borrowed from the Wesleyan University Library , which dictated the topography itself of your score . J.C .: You're talking about a topography . You're making an object out of what's nothing ...
Seite 135
... Atlas Eclipticalis , you at first felt that there would be no particular correspondence between these works . Had you thought of a complementarity of timbres ? Or were you still obeying a structural rationale as when Pierre Marietan and ...
... Atlas Eclipticalis , you at first felt that there would be no particular correspondence between these works . Had you thought of a complementarity of timbres ? Or were you still obeying a structural rationale as when Pierre Marietan and ...
Seite 211
... Atlas Eclipticalis . When you composed Atlas Eclipticalis , you wrote it as the first line of a haiku . J.C .: The allusion to the haiku comes from one of my Japanese friends , Hidekazu Yoshida , who suggested that I consider the first ...
... Atlas Eclipticalis . When you composed Atlas Eclipticalis , you wrote it as the first line of a haiku . J.C .: The allusion to the haiku comes from one of my Japanese friends , Hidekazu Yoshida , who suggested that I consider the first ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able already asked Atlas Eclipticalis audience become believe Boulez Buckminster Fuller Cathy Berberian chance operations Cheap Imitation Ching Christian Wolff Chuang-tze completely composer conceptual art Concert for Piano dance dancers Daniel Charles David Tudor Duchamp electronic music emotions everything example exist experience fact feel film footnote of 1972 happens HPSCHD idea indeterminacy interested INTERVIEW John Cage La Monte Young lecture listen live longer Marcel Duchamp McLuhan mean Meister Eckhart Merce Cunningham Morton Feldman mushrooms musicians Musicircus Nam June Paik never noises notation Nothingness object organization percussion performance piece play possible prepared piano problem question recording relationship repetition Rozart Mix Satie Satie's Schoenberg score seems sense silence situation Solo someone Sonata Song Books sounds space structure talk Taoism tapes theater things Thoreau thought tion tonal tranquility University utilities Variations Wolff writing Xenakis