For the BirdsM. Boyars, 1981 - 239 Seiten One of America's great twentieth-century composers in a series of wide-ranging conversations. |
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Seite 35
... tonal system from the beginning ? J.C .: Yes , because noises have nothing to do with cadences . D.C .: And , by the same act , you avoided remaining within a ' cultural ' definition of structure . J.C .: Yes . I was obliged to re ...
... tonal system from the beginning ? J.C .: Yes , because noises have nothing to do with cadences . D.C .: And , by the same act , you avoided remaining within a ' cultural ' definition of structure . J.C .: Yes . I was obliged to re ...
Seite 73
... tonal structure in Schoenberg's sense . D.C .: But was rhythmic structure enough to make up for a lack of tonal- ity ? Aren't we dealing with two different dimensions which cannot be substituted for one another ? Did you really never ...
... tonal structure in Schoenberg's sense . D.C .: But was rhythmic structure enough to make up for a lack of tonal- ity ? Aren't we dealing with two different dimensions which cannot be substituted for one another ? Did you really never ...
Seite 74
... tonal universe . No matter how refined Schoenberg's timbres may be , they hardly ever get away from the number twelve ... While with Varèse , whatever his ' organiza- tional ' notions may have been , you feel that everything is possible ...
... tonal universe . No matter how refined Schoenberg's timbres may be , they hardly ever get away from the number twelve ... While with Varèse , whatever his ' organiza- tional ' notions may have been , you feel that everything is possible ...
Inhalt
Note on the Books History | 7 |
Forward I | 64 |
Second Interview | 83 |
Urheberrecht | |
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