On Innovative Music(ian)sLimelight Editions, 1989 - 319 Seiten (Limelight). Long noted for his literary criticism, Richard Kostelanetz has for over two decades written intelligently about contemporary music in various veins. This book collects the best of those essays. Several deal at length with such avant-garde composers as Elliott Carter, Milton Babbitt and, especially, John Cage; others are profiles of musicians such as Glenn Gould, B.B. King and the author's uncle, Andre Kostelanetz. |
Inhalt
Bach in the Electronic Age 1967 37 | 3 |
The chapters of On Innovative Musicians first appeared in the following | 6 |
Charles Ives 1967 | 17 |
Urheberrecht | |
31 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
Aaron Copland acoustic aleatory American artistic atonal audience audiotape aural avant-garde B. B. King baseball become blues Cage's Carter chaotic Charles Ives classical collage composer composition concert conductor contemporary music Copland create cultural Cunningham dance developed early Edgard Varèse electronic music Elliott Carter essays esthetic Europera experience Finnegans Wake Glass Gould hear heard Hovhaness HPSCHD ideas instruments J. S. Bach jazz John Cage Kagel keyboard kind Kostelanetz language less listener literary live performance machine Merce Cunningham Milton Babbitt modern music Moog Mozart musicians Nonetheless notes once opera orchestra original P. D. Q. Bach perhaps phrases pianist piano piece pitch played poetry pop music precisely produce professional prose radical radio recent record rhythm rock Schickele Schoenberg score serial singers Sonata songs sound Stravinsky structure style Symphony synthesizer tape taste technique theater timbre tion tonal tone tradition twelve-tone Varèse words writing York young Zukofsky