The Classical Era: From the 1740s to the End of the 18th Century

aesthetic amateur Anton arias artistic audience Austrian Bach ballet Berlin Bohemia Burgtheater Burney C. P. E. Bach Carl cathedral Charles church music Classical comic opera composers composition Concert Spirituel court cultural Czech dance death decade dramatic early eighteenth century electoral English ensemble Esterházy Eszterháza Europe France French genre German opera Gluck Gustavian Gustavus Gustavus III Handel harpsichord Haydn important instrumental music Italian opera Italy Johann Johann Stamitz Joseph Joseph Martin Kraus Kapellmeister keyboard later Leopold Mozart letter librettist libretto London Madrid Mannheim Metastasio Munich musicians musique Naples Neapolitan nobility opera buffa opéra comique opera house opera seria oratorio orchestra organist palace Paris performed period Philadelphia piano played players political popular Prague public concerts published quartets Rameau reforms repertory royal Salzburg singers singing social society solo sonata songs stage Stamitz Stockholm style Swedish symphonies taste theatre theatrical tradition troupe Venice Vienna Viennese musical violin vocal wrote