John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 64
... play programs , and you remember the story of the play that had to do with the end of the world and how the entire country thought it was true ; so that not only I , but many other people , were interested in the Columbia Workshop plays ...
... play programs , and you remember the story of the play that had to do with the end of the world and how the entire country thought it was true ; so that not only I , but many other people , were interested in the Columbia Workshop plays ...
Seite 65
... play . The first one I suggested was Henry Miller . I asked Henry Miller if he would write a play for me , and he said it would be better if I would first read his books . It was difficult at that time to read his books because they ...
... play . The first one I suggested was Henry Miller . I asked Henry Miller if he would write a play for me , and he said it would be better if I would first read his books . It was difficult at that time to read his books because they ...
Seite 66
... play that Kenneth Patchen had written was called The City Wears a Slouch Hat [ 1942 ] . I stayed up for about four ... play and so forth . So they would play the new score as you were writing it down . Essentially yes . I would write it ...
... play that Kenneth Patchen had written was called The City Wears a Slouch Hat [ 1942 ] . I stayed up for about four ... play and so forth . So they would play the new score as you were writing it down . Essentially yes . I would write it ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York