The Music of Morton FeldmanThomas DeLio Psychology Press, 1995 - 242 Seiten Morton Feldman was one of the most original and important American composeres of the 20th century. His work has never been analyzed in detail (nor systematically) until this book. |
Inhalt
A Deconstructionist View of Musical Aesthetics | 9 |
1950 | 21 |
Last Pieces 3 1959 | 39 |
Three Clarinets Cello and Piano 1971 | 71 |
Piano 1977 | 99 |
For John Cage 1982 | 147 |
Three Essays by Morton Feldman | 199 |
Compositions | 219 |
Bibliography | 227 |
| 237 | |
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Häufige Begriffe und Wortgruppen
1981 by Universal ABA ABA ABA agent for Universal American Music Distributors Analytical Investigations arco artist attack sounds C. F. Peters Corporation C.F. Peters Canadian agent cello chord chordal chromatic chromatic content coda composer composition consists contrast Copyright 1963 crippled symmetry David Tudor duration dyad emphasis European American European American Music Feldman's music Figure flute gesture hard attack harmonic heard horizontal icti interval class John Cage large-scale Last Pieces layered systems material measure middle register Morton Feldman Music Distributors Corporation notation octave orchestra passage pattern percussion Permission of European Philip Guston phrase piano piano chords pitch classes pizz pizzicati Projection region Ia repetitions revoicings rhythmic Rights Reserved self-similar soft attack sole U.S. sonic sonorities sonorities sonorities sonorities String Quartet subgroup Subphrase subsection symmetry texture Thomas DeLio Three Clarinets timbral timbre tion tones tritone two-note U.S. and Canadian Universal Edition London violin voice