 | John Cage - 1961 - 276 Seiten
Silence, A Year from Monday, M, Empty Words and X (in this order) form the five parts of a series of books in which Cage tries, as he says, "to find a way of writing which ... | |
 | John Cage - 1981 - 187 Seiten
Writings through James Joyce's Finnegan's Wake, Norman O. Brown, and "The Future of Music." | |
 | David Henry Hwang - 1988 - 93 Seiten
THE STORY: Bored with his routine posting in Beijing, and awkward with women, Rene Gallimard, a French diplomat, is easy prey for the subtle, delicate charms of Song Liling, a ... | |
 | John Cage, Daniel Charles - 1981 - 239 Seiten
One of America's great twentieth-century composers in a series of wide-ranging conversations. | |
 | John Cage, Richard Kostelanetz - 1991 - 239 Seiten
"For years he was dismissed as an eccentric exponent of arbitrary noise punctuated by silence. Now, however, John Cage is universally acknowledged as the most influential ... | |
 | Richard Kostelanetz - 1996 - 194 Seiten
No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard ... | |
 | John M. Cage, Joan Retallack - 1996 - 408 Seiten
The entire range of John Cage's work and thought, explored in three wide-ranging dialogues, which constitute his last unified statement on his art. | |
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