I. THE BROTHER'S DIRGE. In the proud old fanes of England But thou, but thou, my brother! In the old high wars of England My noble fathers bled; For her lion kings of lance and spear, But thou, but thou, my brother! In a shelter'd home of England With quick heart listening for the sound She little dreams, my brother! Of the wild fate we have found; I, 'midst the Afric sands a slave, Thou, by the dark seas bound. II. THE ALPINE HORN. THE Alpine horn! the Alpine horn! Yet, no! 'midst breczy hills thy breath, But here the echo of that blast, Haunt me no more! for slavery's air III. O YE VOICES. Ora voices round my own hearth singing! Never, never! Spring hath smiled and parted Or if still around my heart ye linger, Yet, sweet voices! there must change have come; Years have quell'd the free soul of the singer, Vernal tones shall greet the Wanderer home, Ne'er again! IV. I DREAM OF ALL THINGS FREE. I DREAM of all things free! Of a gallant, gallant bark, That sweeps through storm and sea, Goes bounding in his glee; I dream of some proud bird, On whose breast no sail may be; Of a happy forest child, With the fawns and flowers at play Of an Indian 'midst the wild, With the stars to guide his way: Of a chief his warriors leading, Of an archer's greenwood tree :-My heart in chains is bleeding And I dream of all things free! V. FAR O'ER THE SEA. WHERE are the vintage songs Where doth my birth-place lie -Far o'er the sea! Where floats the myrtle-scent O'er vale and lea, When evening calls the dove High from the fields of air look down But thou art there!-serenely bright, DROOP not, my brothers! I hear a glad strain-Thou that wilt climb the loftiest height, We shall burst forth like streams from the win ter-night's chain; A flag is unfurl'd, a bright star of the sca, Where the pines wave, where the light chamois leaps, Where the lone cagle hath built on the steeps, Where the snows glisten, the mountain rills foam, Free as the falcon's wing, yet shall we roam. Or crown the lowliest tomb! Ivy, Ivy all are thinc, Palace, hearth, and shrine. 'Tis still the same; our pilgrim tread O'er classic plains, through deserts free, On the mute path of ages fled, Still meets decay and thee. Days pass-thou Ivy never sere!* All are thine, or must be thine- Therefore, once, and yet again, THE DYING GIRL AND FLOWERS. THE MUSIC OF ST. PATRICK'S. The choral music of St. Patrick's Cathedral, Dublin, ia almost unrivalled in its combined powers of voice, organ, and scientific skill.--The majestic harmony of effect thus produced is not a little deepened by the character of the Church itself which, though small, yet with its dark rich fretwork, knightly helmets and banners, and old monumental effigies, seems all filled and overshadowed by the spirit of chivalrous antiquity. The imagination never fails to recognize it as a fitting scene for high solemnities of old;-a place to witness the solitary vigil of arms, or to resound with the funeral march at the burial of some warlike King. They lend the wings of morning to its flight No earthly passion in th' exulting lay, Whispers one tone to win me from that height. All is of Heaven!-Yet wherefore to mine eye Wherefore must rapture its full heart reveal KEENE, OR LAMENT OF AN IRISH MOTHER OVER HER SON. This lament is intended to imitate the peculiar style of thu Irish Keenes, many of which are distinguished by a wild and deep pathos, and other characteristics analogous to those of the national music. DARKLY the cloud of night comes rolling of Darker is thy repose, my fair-haired son! Silent and dark A LYRE its plaintive sweetness pour'd The stormy wanderer jarr'd the chord, -Oh! child of song! Bear hence to heaven thy fire! What hop'st thou from the reckless throng? A flower its leaves and odours cast Th' unheeding torrent darkly pass'd, Waste not thy precious dower! SISTER! SINCE I MET THEE LAST. SISTER! Since I met thee last, Deep and still a shadow lies; Yes! thy varying cheek hath caught Tell me not the tale, my flower! |