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cliffs, where they rose higher and more | whiskers came inquiringly over the sheer from the sea. But we never edge of the plate; then he made one went so far afield as those great preci- sudden hop, lunged once, with a lightpices, and even if we had reached their ning stroke of his beak, at the beautifeet or summits we could no more have ful glossy black muzzle, and was back arrived at the ravens' nests than if again in his watchful attitude so quickly they had been in another planet. The that one almost felt disposed to doubt few ravens we have seen in captivity if he had ever left it. There was no behaved themselves rather after the doubt in the mind of the cat. That staid manner of the jackdaws; they lightning stroke of the beak had much had none of the engaging social qual- the same effect on the Persian as if a ities of the magpie. bomb had burst somewhere in its midLong after we had left boyhood be- dle. It leaped with a yell five paces hind us we met the most amusing pet backward, its legs extended, every sepof our acquaintance. He too was of arate hair of its long fur standing off it the corvine tribe, but he came from at full length. When it reached the Australia, was called, in fact, an Aus- ground it hesitated not for one motralian magpie, though he looked rather ment; no fleeting notion of vengeance more like a saddle-backed crow. We crossed its mind; with head and tail were staying in the house of his owner depressed, in manner as unlike as poswhen he arrived. A large plate of sible to its dignified approach, it remeat was set for him on the terrace in treated at a good round trot to the front of the house; but he paid a shrubbery whence it had come. The dilettante attention to the victuals, oc- magpie slowly relaxed its attentive ascupying himself chiefly with a scrutiny pect, and as it addressed itself once of the house and his new surroundings, more to the plate of viands there were while on his side he was the cynosure those among the spectators at the winof the eyes of all the family gazing at dow who were ready to aver most solthe new pet from the drawing-room emnly that they saw it wink. The windows. Other pets of the house comedy was not yet finished. Before were three very large black cats, great our laughter at the discomfiture of favorites, immensely spoiled, and very Tigris had died away, a second Perdignified and lazy. As we regarded sian, Darius, emerged from the shrubthe antipodean somewhat scornfully bery in the same stately fashion. The dallying with his dinner, we saw one bird at once resumed the statuesque of these solemn black monsters ad-pose. In the same manner as before vancing at its usual dignified pace towards him. A cry arose from the assembled family, "Oh, Tigris will kill the magpie!" The head of the family desired to await developments. There was a painful suspense of breath, as we watched the shaggy black Persian advancing on the plate and the magpie with a steady, unhurried step. The magpie stood aside from the plate, and, with head well on one side, watched the on-coming robber. There was a world of meaning in the glance of that wicked grey eye, but it was all lost on the dignified composure of the Persian who, without deigning to look at the magpie, proceeded to sniff at the contents of the plate. The bird, motionless as a statue, waited till the black

the cat advanced; the bird repeated its tactics with the same triumphant results; and within two minutes of its first advance the cat was retreating with undignified haste to recover its composure in the haven of the shrubbery. There was yet another act. The third cat came on the scene, approached the plate, met with a like reception; and he too rejoined his stricken companions in the laurels. It was evident that the cats had played the game in the spirit of those who go into a "Hoax Exhibition" at a charitable bazaar, the first comers revealing nothing to those who follow them of the nature of the entertainment which they will find within.

From this day forth, however, the

From The Contemporary Review. VIRGIL IN THE COUNTRY.

Io toglierò il poeta dalle scuole degli eruditie dalle academie dei letterati, dalle aule dei potenti, e lo restituirò a te, o popolo di agri coltori e di

force, but he shaped it in his own intellectual mould. He could not think of such a force except as beneficent, and thus the tilling of the soil became to him a holy ministry, a kind of sacrament. The cultivator was the priest who gave the gift on the altar to the people. He co-operated in a divine scheme of which man, nay, and the very gods, were the inevitable instruments.

Australian magpie was headman of all the pets on the premises, and none dared interfere with him any more. His first success encouraged him to further triumphs. He used to lie in lavoratori, o popolo vero d'Italia-Egli è sangue wait, screwed up in a corner, on the vostro e vostra anima: egli è un antico fratello, un stone steps by which the nursemaids, dalle rive del Mincio sali al Campidoglio e dal Campaesano, un agricoltore, un lavoratore italico, che with the children, descended the ter- pidoglio all' Olimpo.-G. CARDUCCI. race. As they stepped past him he (Per la inaugurazione d'un monumento a Virgilio.) would dash out, with a bark like a dog To Virgil the problems of existence (though we believe the native Austra- appeared in a less complex form than lian dingo is voiceless) and, with a dab to the great Roman poet who preceded of his vicious beak on the unprotected him. Like Lucretius, he was drawn to ankles of the maids, so frighten them the conception of nature as a divine that they almost dropped the babies. This was his favorite pastime, until he had established so complete a reign of terror that this part at least of his occupation was gone. His crowning impudence, however, was exhibited when the regimental band of the neighboring garrison came over to play at a gardenparty. The soldiers, arranged in the usual circle, were discoursing popular airs under the conduct of a glorious individual who beat time very impressively in the centre. The display of martial bravery should have been sufficient to inspire reverence in any one, most of all, as might have been thought, in a colonist. The magpie, Montaigne said, "il donne l'appétit de however, utterly unimpressed, crept vieillir." After declaring that nothing between the legs of the cornet-à-piston, contributes so much to a happy old age and, taking a position within the circle as the management of a country estate opposite to the bandmaster, began with its well-ordered vineyards, olive mimicking his rather pompous gestures with so ludicrously successful a caricature that the gallant tune came to an untimely end in the uncontrollable laughter of the performers. This was his last great effort. His talent for practical joking brought him into so much disfavor that, chiefly through the petticoated influence of the nursery, he was expelled as remorsely as any other anarchist; and his genius now finds fewer opportunities in the less congenial atmosphere of the Zoological Gardens.

The idea that the cultivator of the soil is, in a way, acting a consecrated part, was not confined to Virgil; it is noticeable, for instance, in that beautiful essay of Cicero on old age, of which

groves and plantations, Cicero answers the possible objection, "What is the good of all this when you are too old to hope to see your labors fulfilled and rewarded?" in the noble words: "If any one should ask the cultivator for whom he plants, let him not hesitate to make this reply: For the immortal gods who, as they willed me to inherit these possessions from my forefathers, so would have me hand them on to those that shall come after.'"

To rejoice in the good things of nature, the beautiful earth, the glorious sun, the fruitful fields, was for Virgil almost an act of worship; had he been told that a preacher would arise who turned from the genial light as from a snare, he would have charged him with blasphemy. The view of the visible

world filled him with pious exultation ; | speedily revoked. He describes the but besides being a religious man, neighbors bewailing the loss of him: Virgil was an artist, and nature de-"Who would now be their poet?" lighted him because it is such excellent The farm hands know snatches of his art. In looking at a meadow he felt verses, just as Verdi's peasants at what Balzac felt when he said, "Oh! Busseto sing his airs as they follow the voilà la vraie littérature ! Il n'y a plough. jamais de faute de style dans une prairie."

and bards of ancient times." He makes the long-haired bard Topas sing of the sun and moon, rain and lightning, the seasons, man, and cattle, at

wife singing over her household tasks and the shepherd youths whose high voices send a thrill of passion through the summer nights. Any one who is familiar with the Italian folk-songs of to-day must fancy that he catches in the exquisite songs of Damon and Alphesibus something more than the popular spirit — almost the words, here and there, of folk-poets of long ago.

If Virgil ever did hear any of his lines repeated by peasant folk, one may Virgil's own origin (not differing be sure that he was better pleased by much from that of Shakespeare) had a it than by many a loftier sign of populasting effect in determining his char- larity. He evidently listened with acter. He never became a thorough pleasure to folk-songs; he would never townsman; even in his appearance have spoken with scorn, like the old there was said to be something coun- poet Ennius, of "the songs of fauns tryfied. All his life he felt keenly the loss of his father's farm on the Mincio. The Civil Wars which ended with the fall of the Republic at Philippi, were the cause of the confiscations in which the banquet of Dido. He notices the Virgil's property was involved. Cremona having backed Pompey, its territory was given to the soldiers who fought against him and in favor of Augustus. The Mantovano, being near at hand, had the same fate meted out to it. Scholars have not yet decided the exact locality of the poet's estate, though every villager of Pietole is ready to stake his life on Dante's accuracy in placing it in that commune. Virgil observed, and remembered, Tradition in such cases is not to be and even when he is most conventional lightly set aside, but strong reasons there is an undercurrent of truth, of have been advanced for thinking that experience. In the first place, his enthe farm lay farther away from Man-joyment is so sincere that even an tua and nearer to where the Mincio artificial setting could not make the leaves the Lake of Garda. This situation gives the scenery of the "Eclogues" with the gentle hills so often described in them. There is no doubt that Virgil was thinking less of Sicily than of his childhood's home when he wrote these early poems, in several of which he alludes to his own troubles under what must have been then a transparent disguise. It seems that, touched by his songs, Augustus inter- Who was ever dull in the country vened to save "all that land where the that had eyes and ears - if there were hills begin to decline and by an easy nothing but the birds, who could be declivity to sink their ridges as far as dull? Virgil knew them well; he the water and the old beeches whose watched the winged legions as they tops are now broken," but that, either hastened to the woods at dusk; he because it was difficult to make an ex- took attentive note of the larks and the ception in his favor or from some other kingfishers, the chattering swallows cause, the imperial benevolence was skimming over the pools before rain,

substance of his picture false. He actually thought that a town mansion crammed with bric-a-brac bought or looted (which made a Roman house of that period almost as impossible to turn round in as an English house of this) was a less agreeable place to live in than a plain farm interior, surrounded by the luxury of the countryside.

the wood-pigeon cooing itself hoarse, I found in Virgil's rural poetry. The

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and the sweeter turtle-dove in its airy land under cultivation (according to elm. He has been blamed for making some calculations a larger area than at the nightingale bemoau her lost young present) must have exhibited the same which the cruel ploughman had taken signs of orderly arrangement, of minute unfledged from the nest; because, it is utilization of the smallest spaces, that a objected, the nightingale does not sing well-cared-for Italian estate exhibits after the eggs are hatched; but if the to-day. Probably it was in the north objector would take the train to Mantua of Italy, then as now, that farming was in June he would hear nightingales most scientifically practised; we know singing so loud in the woods through that the chief irrigatory canals date which the railway passes as it nears from Roman times. As Virgil's landthe morass, that they drown the noise scape is north Italian with the backof the engine. Climate and environ-ground which we feel even when we ment have much influence on birds' do not see it, of the "aërial Alps," so singing. Italians say that the robin is his peasant is essentially a north Italian not a singing-bird, and I have certainly contadino. Let us inquire what kind of never heard it sing in Italy. Nightin- life he led. gales stop singing sooner in northern The luxuries which the Virgilian than in southern climes, and the En-husbandman allows himself in the way glish critic, though right as to his own of food are fruit, chestnuts, and pressed birds, was wrong as to Virgil's ; a point | curd, the modern mascherpone. worth mentioning, trifling as it seems, salad or a drink made with pounded for the reason that it shows how diffi- garlic and thyme refreshes him after cult it is to decide offhand upon the mowing the sweet hay through the reality or unreality of the whole class precious hours when the morning star of Bucolics unless you know the coun- shines in the sunrise. At noon he try which inspired them. A more sleeps under a tree while the herds low grounded reproach against this partic- not far off. When the smoke rises. ular passage would be that it is not from the village and the shadows mourning which makes the nightingale lengthen on the hills, he returns to the pour out his passionate soul in song; house where the girls are carding wool it is hope, desire, pain, perhaps not and the wife is boiling down sweet regret. But the error belongs to the wine which makes an excellent drink. legend-weaver, to the child-man to She finds time to ply the shuttle, bewhom all the songs of birds sounded tween her other occupations, singing sad; who, in Sclavonic lands, inter- as she weaves to make the toil less preted even the cuckoo's cry to mean a tedious. There is always indoor work dirge. for women to do where they spin Virgil has one bird-picture which the clothes of the family; only when now, at least, is more English than Italian that of the rooks bustling among the branches of the tall trees and cawing joyfully because the rain is over, happy in their nests and little ones. The rookery remains in England with certain other free, wild things intermixed closely with cultivation that give a sense of the unexpected to the English wold for which in Italy one has to go to the pathless Maremme or the bare, mysterious deserts of the south. It is surprising, by the by, not how many, but how few, suggestions of a wilder nature can be

the indestructible frieze made from the peasants' own fleeces is replaced by shoddy cotton, are women set to do men's work out of doors. That neverending spinning was a bond of union, too, between all classes; "quando Berta filava," say the Italian peasants remembering the queen who spun. I have seen a coat made from what was possibly the last piece of cloth spun by noble Italian hands; it came to Lombardy in the middle of this century, a gift from a Sardinian countess.

When Virgil's husbandman takes his evening rest, his sweet children come

round him, the girls modest and fair to | with him; he lived with her beauty, see, the boys willing to work, not and to live with the beauty of nature spendthrift, observant of religion, rev- was worth all the fine houses with erent towards age. He himself is a doorposts set with tortoise-shell and careful observer of feast-days, on them cornices inlaid with gold-so Virgil he abstains from all hard labor, only thought. Yet the farmer's son knew doing such light tasks as can offend no too much of agriculture to imagine that god; raising a fence, snaring birds, all was bliss in Arcadia. In the first washing sheep, or driving the ass to place, there was insecurity of tenure the town with a load of apples, and with a vengeance. You might lose your bringing back some needful tools. land by sheer confiscation, as Virgil Winter is his long rest-time; then he himself had done; or you might be invites and accepts invitations to little- shipped off bodily to the torrid sands of costing gaieties. Yet in winter there the contemporary Massowah, or, just as are numberless small things to be bad, to Britain, "totally separated from done storing olives, acorns, and bay- the rest of the world." In that case, berries those that have been picked, even if your homestead was not sequesfor some always fall on the ground, tered before you left, ten to one, if you and under every old bay-tree there is ever chance to come back, you will find a little forest of young ones; a true some brutal soldier in possession of the detail. (What, one would like to fields you tilled with so much love. A know, were bay-berries used for then? strange man meets you with the words, Now they are made to yield a strong "These are mine; get you gone, old poison). Hunting hares and netting roebuck are other winter employments, and if the peasant wants amusement he goes to watch the herdsmen in their wrestling matches. He has also the most charming of toys-a bit of garden, half kitchen-garden, half flowerbed. It is the orto of the modern peasant, with its sage and rosemary, its lettuces and leeks, its purple iris (Spade di Sant' Antonio) and virgin provinces and in Tuscany weave the lilies.

A peasant who is old and past hard work may even devote himself wholly to a garden. Thus did the aged Corycian peasant turn a few poor, abandoned acres that had been thought good for nothing into the sweetest place in the world. Around he set a fence of thorns, inside he sowed a few vegetables, and planted simple flowers. At night he could set something on his table, a salad, a few onions, two or three pears, and he felt possessed of the riches of kings. His roses, sweet as Pæstum's, were before any one else's; his fruit was the earliest to ripen. And how well his bees flourished; what a rich store of frothing honey they furnished! Happy old man!

tenants ! " The present of kids which Moris sends the new master will neither soften his heart nor will it carry with it the bad luck which the sender would very gladly convey with it. Of human redress there is none, and Virgil does not propose recourse to the Black Art. He kept the charms, of which he had an extensive knowledge, for the service of lovers, who in the Roman

self-same incantations in A.D. 1895. Even the were-wolves spoken of by the poet have their descendants in the Cani guasti which frighten children who go out after dark in Umbria. Virgil was interested in charms because he had the soul of a folk-lorist, but though he believed firmly in dreams and omens, it may be doubted if he took witchcraft very seriously. He would have been the first to be surprised at finding himself converted into a wizard in the Middle Ages.

Even if left, by a wonder, in peaceful possession of his farm, Virgil's farmer has still his full share of cares and ills. He suffers from dishonest farm-servants; from the hireling who neglects the flock because he is a hireling, and who robs the lambs of the The husbandman had nature always milk which should be theirs. Then he

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