Journal of the Rocky Mountain Medieval and Renaissance Association, Volumen12Rocky Mountain Medieval and Renaissance Association., 1991 |
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Página 19
Venus , of course , is associated with the last . Her power is so great that she can draw into her service “ by violence ” all who look upon her ; “ no diffence may avaylle ” ' against her .
Venus , of course , is associated with the last . Her power is so great that she can draw into her service “ by violence ” all who look upon her ; “ no diffence may avaylle ” ' against her .
Página 97
22 Speaking of the clown figure's frequent use ” : of direct address to the audience and of his anachronistic language , Weimann writes that “ the postritual element of nonrepresentational selfexpression became associated ( as long as ...
22 Speaking of the clown figure's frequent use ” : of direct address to the audience and of his anachronistic language , Weimann writes that “ the postritual element of nonrepresentational selfexpression became associated ( as long as ...
Página 164
Drayton is also cast , interestingly , as an unrepentant Petrarchan in a way that implies that Petrarchism is to be associated with “ Elizabethanism , ” which , of course , it should not be .
Drayton is also cast , interestingly , as an unrepentant Petrarchan in a way that implies that Petrarchism is to be associated with “ Elizabethanism , ” which , of course , it should not be .
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Contenido
Hagiographical Parody in the Ysengrimus | 1 |
Mythological Lovers in Chaucers Troilus and Criseyde | 13 |
GENERAL | 22 |
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action amor Amorosa visione appears associated audience Cambridge century chapter Chaucer chivalry Christian Clamydes classical Clyomon common composers contemporary continues court critical death demonstrate described desire discussion drama early Elizabeth Elizabethan English essay example fact faith female Fierabras final Floripe Floripe's French give important interest interpretation Italy John King knight learned letter lines literary literature living London lord lovers meaning medieval Middle Ages misogyny moral Myrrha myth nature notes offers Orpheus pastoral performed play poems poet poetic poetry political popular present provides Queen readers reading reference Renaissance represents role Saracen scene scholars seen serve singing social society Spenser Stampa story style succession suggests tale traditional Troilus understanding University Press verse voice woman women writes young