Journal of the Rocky Mountain Medieval and Renaissance Association, Volumen12Rocky Mountain Medieval and Renaissance Association., 1991 |
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Página 71
A tragic tone and subject indicated the “ high ” style associated with upper - class characters , while comedy suggested a more plebeian ambience . Along with this separation of themes and moods came a linguistic distinction .
A tragic tone and subject indicated the “ high ” style associated with upper - class characters , while comedy suggested a more plebeian ambience . Along with this separation of themes and moods came a linguistic distinction .
Página 78
a While the men around her could at times be completely playfulParabosco , for example , in his outrageous love letters , or Perissone in his villanesche - Stampa had reason to avoid the low style despite her desire to entertain .
a While the men around her could at times be completely playfulParabosco , for example , in his outrageous love letters , or Perissone in his villanesche - Stampa had reason to avoid the low style despite her desire to entertain .
Página 81
This style of singing was taken up by Caccini for theatre music , both so that the text might be more clearly rendered than in polyphonic singing and so that the performer's sprezzatura might be allowed to display itself .
This style of singing was taken up by Caccini for theatre music , both so that the text might be more clearly rendered than in polyphonic singing and so that the performer's sprezzatura might be allowed to display itself .
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Contenido
Hagiographical Parody in the Ysengrimus | 1 |
Mythological Lovers in Chaucers Troilus and Criseyde | 13 |
GENERAL | 22 |
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action amor Amorosa visione appears associated audience Cambridge century chapter Chaucer chivalry Christian Clamydes classical Clyomon common composers contemporary continues court critical death demonstrate described desire discussion drama early Elizabeth Elizabethan English essay example fact faith female Fierabras final Floripe Floripe's French give important interest interpretation Italy John King knight learned letter lines literary literature living London lord lovers meaning medieval Middle Ages misogyny moral Myrrha myth nature notes offers Orpheus pastoral performed play poems poet poetic poetry political popular present provides Queen readers reading reference Renaissance represents role Saracen scene scholars seen serve singing social society Spenser Stampa story style succession suggests tale traditional Troilus understanding University Press verse voice woman women writes young