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Página 13
The second may lead to the conclusion that we cannot approach the Middle
English religious lyric on the same bases as we approach other poetry because
the insight of the poem is always fundamentally the same as the theological
insight .
The second may lead to the conclusion that we cannot approach the Middle
English religious lyric on the same bases as we approach other poetry because
the insight of the poem is always fundamentally the same as the theological
insight .
Página 15
( p . viii ) In his discussion of the religious lyric in Middle English Literature (
London , 1951 ) , George Kane undertakes to judge the poems as poems as far
as possible separately from the specifically religious activities they represent . To
do this ...
( p . viii ) In his discussion of the religious lyric in Middle English Literature (
London , 1951 ) , George Kane undertakes to judge the poems as poems as far
as possible separately from the specifically religious activities they represent . To
do this ...
Página 20
us from appreciating the religious lyric as poetry ( that is , apart from its doctrinal
message reduced to its lowest terms ) or relating it to other kinds of poetry . If , on
the other hand , we can discover some means of talking about the imaginative ...
us from appreciating the religious lyric as poetry ( that is , apart from its doctrinal
message reduced to its lowest terms ) or relating it to other kinds of poetry . If , on
the other hand , we can discover some means of talking about the imaginative ...
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Contenido
Acknowledgments | 7 |
Thomas of Hales LuueRon before 1272 | 22 |
Edi beo thu heuene quene ca 1300 | 41 |
Derechos de autor | |
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Términos y frases comunes
appear associated beginning Book Book II chapter character Chaucer Christ close complete composed concerned continuous contrast course covers Criseyde Criseyde's described direct narrative discussion division Duddon effect English example expression fact final formal four function garden gives human images imaginative important indicate individual interest Lake later less liberty lines lyric mark Mary material means metaphor Middle Milton mind narrative narrator's nature noted objective octave Pandarus parallel particular passage pattern period poem poet poetical poetry possible preceding present proem reference relationship religious rhymes River says scene scheme seems sense sequence short similar single sonnet soul specific spirit stanzas story stream structural suggests summary theme thou thought tion tranquillity Troilus turn units University verse Virgin Wordsworth