More Things Than are Dreamt of: Masterpieces of Supernatural Horror, from Mary Shelley to Stephen King, in Literature and FilmLimelight Editions, 1994 - 226 páginas For centuries, perhaps from the beginning of time, people young and old have been drawn to the genre of supernatural horror, first on the printed page and then on the screen. From fairy tales to Freddy Krueger, the appeal of the genre rests on the all too human search for something above nature, something unknown and unnameable. This search has produced works as memorable as they are terrifying, and we feel their power once again in More Things Than Are Dreamt Of. The sweep of the book encompasses almost two centuries as it reconsiders in detail such classics of literature as Mary Shelley's Frankenstein, tales of Edgar Allan Poe, Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde, Henry James' The Turn of the Screw and Oscar Wilde's The Picture of Dorian Gray, right up to such contemporary novels of horror as Shirley Jackson's The Haunting of Hill House, Ira Levin's Rosemary's Baby, William Peter Blatty's The Exorcist and Stephen King's The Dead Zone. But what sets this book apart is that the authors go on to study the most significant feature films derived from these and many other works of fiction, from the silent era until today. Theme, plot, characters and place, the primary elements of the novels and stories, are considered first as originally conceived and then again as they achieve a new and often different life on the screen. Explaining the why and the how of these acts of transformation is the great accomplishment of More Things Than Are Dreamt Of, a book that enhances our understanding of both literature and film. And of course all the while it helps us to experience again those agreeable shudders and chills that come from beyond our dreams. |
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Página 11
... reader can use to form a picture of how this eight - foot monstrosity was fashioned . For all the reader knows , the means of creation could have been magical . As a Gothic novel the work is far more successful . It features many of the ...
... reader can use to form a picture of how this eight - foot monstrosity was fashioned . For all the reader knows , the means of creation could have been magical . As a Gothic novel the work is far more successful . It features many of the ...
Página 106
... reader will receive , James broadly manipulates the expectations of his audience . The reader , especially one who has a copy of the collection More Ghost Stories , is probably aware of the genre of the tale before taking it up . But ...
... reader will receive , James broadly manipulates the expectations of his audience . The reader , especially one who has a copy of the collection More Ghost Stories , is probably aware of the genre of the tale before taking it up . But ...
Página 112
... reader experiencing Dunning's story , from its perspective the film audience cannot reserve any doubt . From this perspective , they are also endistanced from Holden's doubts , they know that no matter how long and how firmly he has ...
... reader experiencing Dunning's story , from its perspective the film audience cannot reserve any doubt . From this perspective , they are also endistanced from Holden's doubts , they know that no matter how long and how firmly he has ...
Contenido
The Other Bram Stoker | 31 |
H P Lovecraft | 61 |
Robert Louis Stevenson 73 28885 | 89 |
Derechos de autor | |
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More Things Than are Dreamt of: Masterpieces of Supernatural Horror, from ... Alain Silver Vista previa limitada - 1994 |
Términos y frases comunes
adaptation appear audience Basil Rathbone becomes begins Black body called character Charles classic Color comes Corman created creature Daniel dark David dead death demon devil Directed Director of Photog Director of Photography Dorian Gray Editor effects Eleanor Elizabeth evil eyes face fact Fall fiction figure film filmmakers final finds Flora force Frankenstein genre ghosts governess hand Haunting Henry Hill Holden horror House human Hyde innocent Italy James Jekyll John Karswell light look Lovecraft Machen's Mary Michael Miles minutes Monster Music narrative nature Night novel opening original Paul person Peter plays Poe's Produced Production Designer Quint raphy reader Richard Robert Saylor scene Script seems sense sexual shot Son of Frankenstein soul staging Starring Stoker story style supernatural terror things tion Turn Universal Usher Victor viewer visual wife woman writing young