Journal of the Rocky Mountain Medieval and Renaissance Association, Volúmenes7-8Rocky Mountain Medieval and Renaissance Association, 1986 |
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Página 111
... final act per se , I think this principle of interpenetration clearly per- vades the scene from beginning to end - perhaps never as graphically as in the Fairy Queen's embrace of Bottom in Act Four , but present nonetheless . I have in ...
... final act per se , I think this principle of interpenetration clearly per- vades the scene from beginning to end - perhaps never as graphically as in the Fairy Queen's embrace of Bottom in Act Four , but present nonetheless . I have in ...
Página 113
... final scene , Petruchio once again engages in his typical modus operandi , a series of tests couched in the imperative mode : Say I command her come to me . ( 5.2.96 ) Go fetch them [ the other woman ] hither . If they deny to come ...
... final scene , Petruchio once again engages in his typical modus operandi , a series of tests couched in the imperative mode : Say I command her come to me . ( 5.2.96 ) Go fetch them [ the other woman ] hither . If they deny to come ...
Página 120
... final act serving as a kind of epilogue ( Folger Institute Seminar , 1980 ) . 10. " Syndronomic Language in Love's Labor's Lost , " unpub . paper presented at the seminar " The Character of Verse and Prose in the Early Plays , 1590-95 ...
... final act serving as a kind of epilogue ( Folger Institute Seminar , 1980 ) . 10. " Syndronomic Language in Love's Labor's Lost , " unpub . paper presented at the seminar " The Character of Verse and Prose in the Early Plays , 1590-95 ...
Contenido
Constantinian Coin Motifs in Ancient Literary Sources | 1 |
Table Language in the Heptaméron | 17 |
The AngloNorman Courtly Lyric | 27 |
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