We two have sworn shall come. O lady Fortune, See, your guests approach : 60 Enter Shepherd, Clown, MOPSA, DORCAS, and others, with POLIXENES and CAMILLO dis guised. upon here, on, [To Pol.] Sir, welcome : It is my father's will I should take on me The hostess-ship o' the day. [To Cam.] You 're welcome, sir. Give me those flowers there, Dorcas. Reverend sirs, 56. pantler, pantry-maid (or man). 70 For you there's rosemary and rue; these keep Shepherdess, — Sir, the year growing ancient, season Are our carnations and streak'd gillyvors, Wherefore, gentle maiden, For I have heard it said Say there be; 90 marry 76. Grace and remembrance. pollen from one flower to another Rosemary was • for remem- of different colour, which may brance,' rue (through a confusion be done either by the hand of with rue, 'regret') for 'grace'; man, or by nature, by means of cf. Ham. iv. 5. the air and by bees' (Roach 82. gillyvors, 'gilliflowers'; Smith, The Rural Life of Shakevariously interpreted as wall- speare, quot. Deighton). flowers, or a kind of carnation. 92 f. Polixenes illustrates the 'artificial' process of producing 86. For, because. crosses between flowers of differ. 87. an art. • The art is ent colours by the process of simply the transmission of the grafting. 100 A gentler scion to the wildest stock, So it is. I'll not put say 'twere well and only therefore Desire to breed by me. Here's flowers for you; Hot lavender, mints, savory, marjoram; The marigold, that goes to bed wi' the sun And with him rises weeping : these are flowers Of middle summer, and I think they are given To men of middle age. You 're very welcome. Cam. I should leave grazing, were I of your flock, Out, alas! my fair'st friend, IIO 100. dibble, a pointed instru. with the sun.' ment for making holes. 116. ( Proserpina. This 104. Hot, aromatic. image is from Ovid's narrative in Metam. (bk. v.), a book with 105. that goes to bed wi' the which Shakespeare' was (prob. sun. The marigold or sunflower in the original, but certainly was called the Sponsus solis, in Golding's translation) very because it slept and awakened familiar. . 120 For the flowers now, that frighted thou let'st fall What, like a corse ? flowers : What you do sweet, 118. Dis's waggon, Pluto's 127. flower-de-luce, a kind of chariot. iris ; elsewhere (as by Spenser) 120. dim, of subdued, unob often called the flower Delice trusive colour. (flos deliciarum). 134. Whitsun pastorals, plays 126. crown imperial, the performed at Whitsuntide. Cf. Fritillaria imperialis, or fritil- Two Gentlemen, iv. 4., where lary. It had been introduced Julia feigns to have played ‘at into England from Constan- Pentecost ... a lamentable part' tinople, and was highly prized -' 'twas Ariadne passioning for for its 'stately beautifulness.' Theseus' perjury.' To sing them too: when you do dance, I wish you 140 O Doricles, I think you have As little skill to fear as I have purpose I'll swear for 'em. 150 seems But smacks of something greater than herself, He tells her something Come on, strike up ! Dor. Mopsa must be your mistress : marry, garlic, To mend her kissing with ! Mop. Now, in good time! 144. singular, unique. 160. out, Theobald's emenda146. queens, each unique and tion for F, supreme in its kind. 163. in good time, used ironi147. large, unreserved. cally, like Fr. à la bonne heure. 152. skill, reason. Cf. Tam. of Shrew, ii. 1. 96. on't. |