Rhythm and Harmony in Poetry and Music: Together with Music as a Representative Art; Two Essays in Comparative ÆstheticsG. P. Putnam's sons, 1894 - 344 páginas |
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Página 116
... Faerie Queene , i . , 8 , 5 : Spenser . With complicated monsters , head and tail , Scorpion and 116 RHYTHM AND HARMONY IN POETRY AND MUSIC .
... Faerie Queene , i . , 8 , 5 : Spenser . With complicated monsters , head and tail , Scorpion and 116 RHYTHM AND HARMONY IN POETRY AND MUSIC .
Página 126
... Faerie Queene i . , 7 . We find it in Shakespeare also : The loyalty well held to fools , does make Our faith mere folly . -Antony and Cleopatra , iii . , 2 : Shakespeare . Wise men ne'er wail their present woes , But presently prevent ...
... Faerie Queene i . , 7 . We find it in Shakespeare also : The loyalty well held to fools , does make Our faith mere folly . -Antony and Cleopatra , iii . , 2 : Shakespeare . Wise men ne'er wail their present woes , But presently prevent ...
Página 130
... Faerie Queene , i . , 5 : Spenser . Blind fear that seeing reason lead finds safer footing than blind reason stumbling , without fear ; to fear the worst oft cures the worst . -Troilus and Cressida , iii . , 3 : Shakespeare . For then ...
... Faerie Queene , i . , 5 : Spenser . Blind fear that seeing reason lead finds safer footing than blind reason stumbling , without fear ; to fear the worst oft cures the worst . -Troilus and Cressida , iii . , 3 : Shakespeare . For then ...
Página 134
... Faerie Queene , iii . , 3 : Spenser . Fourth : Rhymes , if used at all , should 134 RHYTHM AND HARMONY IN POETRY AND MUSIC .
... Faerie Queene , iii . , 3 : Spenser . Fourth : Rhymes , if used at all , should 134 RHYTHM AND HARMONY IN POETRY AND MUSIC .
Página 151
... Faerie Queene , i . , 3 : Spenser . In this , the sounds of o , wa , THE USE OF LIKE POETIC SOUNDS . 151.
... Faerie Queene , i . , 3 : Spenser . In this , the sounds of o , wa , THE USE OF LIKE POETIC SOUNDS . 151.
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Términos y frases comunes
according æsthetic alliteration analogous Art in Theory artistic assonance bass blending cadence cause Chapter chord color composed connection consonance correspondence developed duration elocution elocutionary Emile Waldteufel emotions expression fact feeling Genesis of Art-Form Götterdämmerung gradation Greek Gregorian chants groups Hans Von Wolzogen hear human voice Idem imitative indicated inflection inharmonic instance instruments intervals length lines major major scale measures melody and harmony ments methods metre mind minor mood Motive movement musical scale nature notes Notice octave partial effects partial tones phrases pitch poetic Poetry and Music principle principle of correspondence produced ratios reason recognize representation Representative Art result rhyme rhythm sense Shakespeare singing song sounds stanzas strings suggested syllables tendency termed thee third thought tion tonic trimeter triple Tristan und Isolde unaccented syllables unity upward and downward uttered verse vibrations vowels W. S. Gilbert Wagner's words
Pasajes populares
Página 85 - No more shall grief of mine the season wrong; I hear the echoes through the mountains throng, The winds come to me from the fields of sleep, And all the earth is gay; Land and sea Give themselves up to jollity...
Página 295 - ... broken purpose waste in air : So waste not thou ; but come; for all the vales Await thee ; azure pillars of the hearth Arise to thee; the children call, and I Thy shepherd pipe, and sweet is every sound, Sweeter thy voice, but every sound is sweet; Myriads of rivulets hurrying thro' the lawn, The moan of doves in immemorial elms, And murmuring of innumerable bees.
Página 65 - THE day is cold, and dark, and dreary ; It rains, and the wind is never weary ; The vine still clings to the mouldering wall, But at every gust the dead leaves fall, And the day is dark and dreary.
Página 42 - And chiefly thou, O Spirit, that dost prefer Before all temples the upright heart and pure...
Página 72 - Sleepless! and soon the small birds' melodies Must hear, first uttered from my orchard trees; And the first cuckoo's melancholy cry. Even thus last night, and two nights more, I lay, And could not win thee, Sleep! by any stealth: So do not let me wear...
Página 167 - Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful ANNABEL LEE. For the moon never beams without bringing me dreams Of the beautiful ANNABEL LEE ; And the stars never rise, but I feel the bright eyes Of the beautiful ANNABEL LEE.
Página 166 - I conjure you, by that which you profess, (Howe'er you come to know it,) answer me : Though you untie the winds, and let them fight Against the churches ; though the yesty waves Confound and swallow navigation up; Though bladed corn be lodg'd, and trees blown down; Though castles topple on their warders...
Página 167 - In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people - ah, the people They that dwell up in the steeple, All alone, And who tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone They are neither man nor...
Página 61 - I cannot hide that some have striven, Achieving calm, to whom was given The joy that mixes man with Heaven "Who, rowing hard against the stream, Saw distant gates of Eden gleam, And did not dream it was a dream...
Página 68 - Rivers to the ocean run, Nor stay in all their course ; Fire, ascending, seeks the sun ; Both speed them to their source : So a soul, that's born of God, Pants to view His glorious face, Upward tends to His abode, To rest in His embrace.