Milton's Lycidas: The Tradition and the PoemC. A. Patrides University of Missouri Press, 1983 - 370 páginas |
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Página 72
... Italian and have me at a dis- advantage . Milton knew his Italian . But he also knew his Spenser , and knowing that , it seems unnecessary to inquire whether he knew his Italian too ; for he had only to adapt a famous Spenser- ian ...
... Italian and have me at a dis- advantage . Milton knew his Italian . But he also knew his Spenser , and knowing that , it seems unnecessary to inquire whether he knew his Italian too ; for he had only to adapt a famous Spenser- ian ...
Página 157
... Italian methods . Lyc- idas cannot be dissected without a knowledge of the Italian poetry of the sixteenth century . But it must be said that there is no exact parallel in Italian literature to the pattern of Mil- ton's poem ; there is ...
... Italian methods . Lyc- idas cannot be dissected without a knowledge of the Italian poetry of the sixteenth century . But it must be said that there is no exact parallel in Italian literature to the pattern of Mil- ton's poem ; there is ...
Página 160
... Italian eclogues of the High Renaissance , when vernacular poetry was absorbed in its imitation of Greek and Latin . The Italian eclogues of Sannazaro ( 1458-1530 ) and Ber- ardino Rota ( 1509–1575 ) illustrate some of the technical de ...
... Italian eclogues of the High Renaissance , when vernacular poetry was absorbed in its imitation of Greek and Latin . The Italian eclogues of Sannazaro ( 1458-1530 ) and Ber- ardino Rota ( 1509–1575 ) illustrate some of the technical de ...
Contenido
Epitaphium Damonis | 14 |
On the Tradition | 31 |
14 | 42 |
Derechos de autor | |
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Términos y frases comunes
allusion answer appears associated beauty become beginning bring called Christian classical close conventional course critical dead death eclogue effect English essay experience expression fact fame feeling figure final flower follows force give heaven human idea imagery images important interpretation John kind King lament language later leaves less lines literary literature look Lost Lycidas meaning metaphor Milton mind mourn move movement Muse nature never once opening Orpheus Paradise passage pastoral elegy pattern perhaps Peter poem poet poetic poetry possible present question reader reference relation rhyme seems sense setting shepherd sing song sound speak speaker speech stream structure Studies suggest swain symbol tear theme Theocritus things thought tion tradition true truth turn University verse Virgil vision voice whole writing