Milton's Lycidas: The Tradition and the PoemC. A. Patrides University of Missouri Press, 1983 - 370 páginas |
Dentro del libro
Resultados 1-3 de 41
Página 141
... conventional symbolism is plain . But Milton is not content to make a conventional use of the convention . I com to pluck your Berries harsh and crude , And with forc'd fingers rude , Shatter your leaves before the mellowing year . Not ...
... conventional symbolism is plain . But Milton is not content to make a conventional use of the convention . I com to pluck your Berries harsh and crude , And with forc'd fingers rude , Shatter your leaves before the mellowing year . Not ...
Página 143
... conventional , and the elegy itself a conventional poem . But the term should not imply that Milton's feelings are not seriously engaged : the question is rather , what is the real subject ? What theme does engage the poet's feelings ...
... conventional , and the elegy itself a conventional poem . But the term should not imply that Milton's feelings are not seriously engaged : the question is rather , what is the real subject ? What theme does engage the poet's feelings ...
Página 206
... conventional ar- chetype of King as drowned young man , Milton has them to select the conventional archetypes of King as poet and of King as priest . These are , respectively , Orpheus and Peter . Both Orpheus and Peter have attributes ...
... conventional ar- chetype of King as drowned young man , Milton has them to select the conventional archetypes of King as poet and of King as priest . These are , respectively , Orpheus and Peter . Both Orpheus and Peter have attributes ...
Contenido
Epitaphium Damonis | 14 |
On the Tradition | 31 |
14 | 42 |
Derechos de autor | |
Otras 12 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
allusion answer appears associated beauty become beginning bring called Christian classical close conventional course critical dead death eclogue effect English essay experience expression fact fame feeling figure final flower follows force give heaven human idea imagery images important interpretation John kind King lament language later leaves less lines literary literature look Lost Lycidas meaning metaphor Milton mind mourn move movement Muse nature never once opening Orpheus Paradise passage pastoral elegy pattern perhaps Peter poem poet poetic poetry possible present question reader reference relation rhyme seems sense setting shepherd sing song sound speak speaker speech stream structure Studies suggest swain symbol tear theme Theocritus things thought tion tradition true truth turn University verse Virgil vision voice whole writing