Milton's Lycidas: The Tradition and the PoemC. A. Patrides University of Missouri Press, 1983 - 370 páginas |
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Página 115
... final . The reference expands in at least three directions , two of which are exploited . Orpheus's de- scent into the underworld and not - quite - successful effort to rescue Eurydice is the most obvious , and perhaps for that reason ...
... final . The reference expands in at least three directions , two of which are exploited . Orpheus's de- scent into the underworld and not - quite - successful effort to rescue Eurydice is the most obvious , and perhaps for that reason ...
Página 131
... final rapture . The three parts of the final movement are thus organically related , the first being emotionally causal to the second , and the second , and through it the first , emotionally causal to the third . The structure is not ...
... final rapture . The three parts of the final movement are thus organically related , the first being emotionally causal to the second , and the second , and through it the first , emotionally causal to the third . The structure is not ...
Página 174
... final judge- ment , vicar of Christ . Peter speaks first as type , bishop , and head of all priests , of the living ones he could better have spared no less than of the faithful one cut off.3 From here onward the bitter , despairing and ...
... final judge- ment , vicar of Christ . Peter speaks first as type , bishop , and head of all priests , of the living ones he could better have spared no less than of the faithful one cut off.3 From here onward the bitter , despairing and ...
Contenido
Epitaphium Damonis | 14 |
On the Tradition | 31 |
14 | 42 |
Derechos de autor | |
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Términos y frases comunes
allusion answer appears associated beauty become beginning bring called Christian classical close conventional course critical dead death eclogue effect English essay experience expression fact fame feeling figure final flower follows force give heaven human idea imagery images important interpretation John kind King lament language later leaves less lines literary literature look Lost Lycidas meaning metaphor Milton mind mourn move movement Muse nature never once opening Orpheus Paradise passage pastoral elegy pattern perhaps Peter poem poet poetic poetry possible present question reader reference relation rhyme seems sense setting shepherd sing song sound speak speaker speech stream structure Studies suggest swain symbol tear theme Theocritus things thought tion tradition true truth turn University verse Virgil vision voice whole writing