Exploring the Language of Drama: From Text to ContextJonathan Culpeper, Mick Short, Peter Verdonk Routledge, 2002 M01 8 - 192 páginas Exploring the Language of Drama introduces students to the stylistic analysis of drama. Written in an engaging and accessible style, the contributors use techniques of language analysis, particularly from discourse analysis, cognitive linguistics and pragmatics, to explore the language of plays. The contributors demonstrate the validity of analysing the text of a play, as opposed to focusing on performance. Divided into four broad, yet interconnecting groups, the chapters:
|
Dentro del libro
Resultados 1-5 de 84
Página v
... character through conversation: Tom Stoppard's Professional Foul Neil Bennison 7 (Im)politeness in dramatic dialogue Jonathan Culpeper 8 'Catch[ing] the nearest way': Macbeth and cognitive metaphor Donald C. Freeman 9 Three models of ...
... character through conversation: Tom Stoppard's Professional Foul Neil Bennison 7 (Im)politeness in dramatic dialogue Jonathan Culpeper 8 'Catch[ing] the nearest way': Macbeth and cognitive metaphor Donald C. Freeman 9 Three models of ...
Página vii
... character and narrative in George Eliot's novels. His chapter in this book is based on an article which he published in the journal Language and Literature in 1993. Pursuing his interest in orchestral music, he now works for the ...
... character and narrative in George Eliot's novels. His chapter in this book is based on an article which he published in the journal Language and Literature in 1993. Pursuing his interest in orchestral music, he now works for the ...
Página x
... Character”: Tom Stoppard's Professional Foul', pp. 79–99, 1993, printed with kind permission of Sage Publications Ltd. Donald C. Freeman's chapter is a revised version of an article that first appeared in Journal of Pragmatics, Vol. 24 ...
... Character”: Tom Stoppard's Professional Foul', pp. 79–99, 1993, printed with kind permission of Sage Publications Ltd. Donald C. Freeman's chapter is a revised version of an article that first appeared in Journal of Pragmatics, Vol. 24 ...
Página 4
... character interaction (e.g. Simpson 1989; Leech 1992); and others (e.g. Short 1989) have drawn eclectically from pragmatics and discourse analysis, in order to shed light on aspects such as characterization and absurdity. However, in ...
... character interaction (e.g. Simpson 1989; Leech 1992); and others (e.g. Short 1989) have drawn eclectically from pragmatics and discourse analysis, in order to shed light on aspects such as characterization and absurdity. However, in ...
Página 9
... characters, all of whom were inmates of the asylum. In this case, it was also possible on occasion to distinguish clearly the poor qualities of the acting from those of the production. The actress playing Lady Macbeth even managed to ...
... characters, all of whom were inmates of the asylum. In this case, it was also possible on occasion to distinguish clearly the poor qualities of the acting from those of the production. The actress playing Lady Macbeth even managed to ...
Otras ediciones - Ver todas
Exploring the Language of Drama: From Text to Context Jonathan Culpeper,Mick Short,Peter Verdonk Vista previa limitada - 2002 |
Exploring the Language of Drama: From Text to Context Jonathan Culpeper,Mick Short,Peter Verdonk Vista previa limitada - 1998 |
Exploring the Language of Drama: From Text to Context Jonathan Culpeper,Mick Short,Peter Verdonk Sin vista previa disponible - 2002 |
Términos y frases comunes
absurd accusation addressee Alison Anderson Arthur Miller assumptions audience Austin Brown and Levinson Carol Cathy chapter characterization characters Charlie Charlie’s CHOUBERT Co-operative Principle cognitive Colonel Connie Booth container context conventions conversational behaviour critical Czechoslovakia David Mamet discourse analysis dramatic texts Duncan’s example extract Falstaff Fawlty Towers floor flouts Grice’s HALE hearer Heilman Helena Hollar illocutionary act implicates implicatures impoliteness incongruity inferences interaction interpretation interruptions Jacques Weber Jimmy Jimmy’s John John Cleese John’s Karen Kate Kate’s kiou language lecturer linguistic look Macbeth Mamet maxim McKendrick metaphor negative face Nudge nudge odd talk Oleanna participants particular path Paul Simpson performance perlocutionary Petruchio phatic play play’s Polly positive face pragmatic Professional Foul question Request Richards scene schemata Shakespeare’s situation social speak speaker speech acts stage directions Stoppard student stylistics suggests teaching schema Tituba topic turn turn-taking utterance verbal Victoria words