Psychology and Performing ArtsG.D. Wilson CRC Press, 1991 M01 1 - 324 páginas |
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Contenido
The actor and our inner demons | 11 |
professional actors two case illustrations | 25 |
Implications for theatrical | 45 |
Whats on between the actor and his audience? Empirical analysis of emotion | 59 |
The manipulation of the audience by director and actor 175 | 75 |
The influence of the medium on creativity in dance and fine art | 83 |
Performers Personality and Problems | 93 |
personality characteristics of professional actors amateur actors | 123 |
From the bard to the board to the consulting room | 165 |
Dreams creativity and the problems of performers | 191 |
The enemies of auditions and how performing | 211 |
Attention allocation and motivation in music performance anxiety | 231 |
Therapeutic Applications of Performance | 249 |
An introduction to psychodrama | 269 |
Inherent value of the creative process | 283 |
Live music in hospitals | 301 |
the flip side of stardom | 133 |
Love addiction in performers | 143 |
Emotional costs of success in dance | 151 |
List of Contibutors | 321 |
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Términos y frases comunes
ability acting agree I disagree Alexander Technique analysis arousal assess attention audience audition Barish become behaviour career Chantal character Charlton Heston child client Clown cognitive cognitive restructuring communication conductor coping creative process dance dancers Diderot director disagree agree drama dramatherapy dramatic role effect emotional experience experienced explore expression facial father feel Freud Gillian Grid heart rate identify individual inner interaction internal interviews involved Journal levels Liv Ullmann lives locus of control London mask MBTI Meichenbaum metaphor mother movement music performance anxiety musicians neuroticism non-actors orchestra patient perception performance anxiety Personal Clown physical physiological play possession professional actors programme protagonist psychoanalytic psychodrama psychological psychotherapy psychoticism questionnaire reality rehearsal relationship relaxation response scores sense significant social society stage fright Stanislavski stress subjects superego technique theatre theatrical theory therapeutic therapist therapy treatment unconscious University variables Winnicott York