 | sir Joshua Reynolds - 1801 - 450 páginas
...regular beauty. Rubens appears to have had that confidence in himself, which it is necessary for every artist to assume, when he has finished his studies,...measure to throw aside the fetters of authority; to conEE 2 CKA.AC- sidgj. the rules as subject to his con. troul, and not himself subject to the rules... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - 452 páginas
...regular beauty. Rubens appears to have had that confidence in himself, which it is necessary for every artist to assume, when he has finished his studies,...measure to throw aside the fetters of authority; to conEE a TR'OF sider *he rules as subject to his con*"""•• rtroul, and not himself subject to the... | |
 | 1808 - 578 páginas
...Reynolds. " Rubens appears to Jiave had that confidence in himself, which it is necessary for every artist to assume when he has finished his studies,...authority ; to consider the rules as subject to his controul, and not himself subject to the rules ; to risk and to dare extraordinary attempts without... | |
 | 1812 - 424 páginas
...THE PLAGUE. Rubens appears to have had that confidence in himself, which it is necessary for every artist to assume when he has finished his studies,...authority ; to consider the rules as subject to his controul, and not himself subject to the rules ; to risk and to dare extraordinary attempts without... | |
 | 1816 - 536 páginas
...regular beauty, " Rubens appears to have had that confidence in himself, which it is necessary for every artist to assume, when he has finished his studies,...sensations, and depending upon them. To this confidence must be imputed that originality of manner by which he may be truly said to have extended the limits... | |
 | Alexander Chalmers - 1816 - 538 páginas
...regular beauty. *' Rubens appears to have had that confidence in himself, which it is necessary for every artist to assume, when he has finished his studies,...authority; to consider the rules as subject to his controul, and not himself subject to the rules ; to risk and to dare extraordinary attempts without... | |
 | Alexander Chalmers - 1816 - 538 páginas
...regular beauty, " Rubens appears to have had that confidence in himself, which it is necessary for every artist to assume, when he has finished his studies,...authority ; to consider the rules as subject to his controul, and not himself subject to the rules ; tu risk and to dare extraordinary attempts V'ithout... | |
 | 1816 - 534 páginas
...appears to have had that confidence in himself, which it is necessary for every artist to assume, when be has finished his studies, and may venture, in some...authority; to consider the rules as subject to his controul, and not himself subject to the rules; to risk and to dare extraordinary attempts without... | |
 | 1816 - 536 páginas
...which it is necessary for every artist to assume, when he has finished his studies, and may vesture, in some measure, to throw aside the fetters of authority ; to consider the rules as subject to his controul, and not himself subject to the rules; to risk and to dare extraordinary attempts without... | |
 | Sir Joshua Reynolds - 1819 - 446 páginas
...regular beauty. Rubens appears to have had that fidence in himself, which it is necessary for every artist to assume, when he has finished his studies,...authority ; to consider the rules as subject to his controul, and not himself subject to the rules; to risk and to dare extraordinary attempts without... | |
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... and not himself subject to the rules; to risk and to dare extraordinary attempts without a guide, abandoning himself to his own sensations, and depending upon them. 
