Poems Upon Several Occasions: English, Italian, and Latin, with TranslationsG. G. J. and J. Robinson, 1791 - 608 páginas |
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Página iii
... poet . After the publication of the PARADISE LOST , whose acknowledged merit and increafing celebrity might have naturally contributed to call other pieces of the fame author , and of a kindred ex- cellence , into a more confpicuous ...
... poet . After the publication of the PARADISE LOST , whose acknowledged merit and increafing celebrity might have naturally contributed to call other pieces of the fame author , and of a kindred ex- cellence , into a more confpicuous ...
Página viii
... poet's native text was vitiated by an infinite variety of licentious interpolations and factitious readings , which , as he pretends , proceeded from the artifice , the ignorance , or the mifapprehenfion , of an amanuenfis , to whom ...
... poet's native text was vitiated by an infinite variety of licentious interpolations and factitious readings , which , as he pretends , proceeded from the artifice , the ignorance , or the mifapprehenfion , of an amanuenfis , to whom ...
Página x
... poet not of Milton's pedigree , should be their first copier . He was It ought to be added , that in the fourth edition of Dryden's Mifcellanies , published 1716 , and as it has been reported at the fuggeftion of Elijah Fenton , L ...
... poet not of Milton's pedigree , should be their first copier . He was It ought to be added , that in the fourth edition of Dryden's Mifcellanies , published 1716 , and as it has been reported at the fuggeftion of Elijah Fenton , L ...
Página xvi
... . Nor does his obfervation of Roman models opprefs or de- ftroy our great poet's inherent powers of inven- tion and sentiment . I value these pieces as much for for their fancy and genius , as for their style xvi PREFACE .
... . Nor does his obfervation of Roman models opprefs or de- ftroy our great poet's inherent powers of inven- tion and sentiment . I value these pieces as much for for their fancy and genius , as for their style xvi PREFACE .
Página xxiii
... poets , who were either contem → poraries or predeceffors , and of whom many are now not commonly known . Of this it ... poet . Much imagery in these poems is founded on this fource of fiction . Hence arofe obfcurities , which have been ...
... poets , who were either contem → poraries or predeceffors , and of whom many are now not commonly known . Of this it ... poet . Much imagery in these poems is founded on this fource of fiction . Hence arofe obfcurities , which have been ...
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