In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 2003 M04 9 - 332 páginas Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... Marx , by way of Abbey Lincoln and Max Roach . I want to show the interarticulation of the resistance of the object with Marx's subjunctive figure of the commodity who speaks . According to Marx , the speaking commodity is an ...
... Marx , Nietzsche , Freud , and Saussure . Above all , they open the possibility of a critique of the valuation of meaning over con- tent and the reduction of phonic matter and syntactic " degeneracy " in the early modern search for a ...
... Marx could only subjunctively imagine : the commodity who speaks . Here is the relevant passage from volume 1 of Capital , at the end of the chapter on " The Commodity , " at the end of the section called " The Fetishism of the ...
... Marx goes on to critique both instances of imagined speech . These instances con- tradict one another but Marx comes down neither on the side of speech he produces nor on that of the speech of classical economists that he reproduces ...
... Marx , this chemical substance called exchange - value has not been found because it does not exist . More precisely , Marx facetiously places this discovery in an unachievable future without having considered the conditions under which ...
Contenido
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
Baldwins Baraka His Mirror Stage the Sound of His Gaze | 171 |
Black Monin in the Sound of the Photograph | 192 |
Tonality of Totality | 211 |
Adrian Pipers Theatricality | 233 |
Notes | 255 |
Index | 307 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Sin vista previa disponible - 2003 |