In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 2003 M04 9 - 332 páginas Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... disruption of its primality ? What shape must a culture take when it is so ( un ) grounded ? What does this disturbance of capture and genesis give to black performance ? Douglass's is a primal scene for complex reasons that have to do ...
... disrupt the totalizing force of the primality Douglass represents ? Is there a way to subject this unavoidable model of subjec- tion to a radical breakdown ? My attempt to address these questions will , I hope , justify another ...
... disruptions of the verbal that take the rich content of the object's / commodity's aurality outside the confines of meaning precisely by way of this material trace . More specifically with regard to Douglass's prefatory scene and its ...
... disruption of the En- lightenment linguistic project is of fundamental importance since it allows a rearrangement of the relationship between notions of human freedom and notions of human essence . More specifically , the emer- gence ...
... disruption of the protocols of exchange . This dual possibility comes by a nature that is and at the same time is social and historical , a nature that is given as a kind of anticipatory sociality and historicity . To think the ...
Contenido
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
Baldwins Baraka His Mirror Stage the Sound of His Gaze | 171 |
Black Monin in the Sound of the Photograph | 192 |
Tonality of Totality | 211 |
Adrian Pipers Theatricality | 233 |
Notes | 255 |
Index | 307 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Sin vista previa disponible - 2003 |