In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 2003 M04 9 - 332 páginas Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... Marx's subjunctive figure of the commodity who speaks . According to Marx , the speaking commodity is an impossibility invoked only to militate against mystifying notions of the commodity's essential RESISTANCE OF THE OBJECT - 5.
... figure of the mother to a realm deter- mined not only by verbal meaning and conventional musical form but by a nostalgic specularity and a necessarily endogamous , simultaneously virginal and reproductive sexuality . These twin impulses ...
... figures as the impossible speech of commodities magically given through the mouths of classical economists . The difficulty of the passage is intensified when Marx goes on to critique both instances of imagined speech . These instances ...
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Contenido
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
Baldwins Baraka His Mirror Stage the Sound of His Gaze | 171 |
Black Monin in the Sound of the Photograph | 192 |
Tonality of Totality | 211 |
Adrian Pipers Theatricality | 233 |
Notes | 255 |
Index | 307 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Sin vista previa disponible - 2003 |