In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 2003 M04 9 - 332 páginas Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... identity and in- terpretation by challenging the reducibility of phonic matter to verbal meaning or conventional musical form . The second is the assertion of what Nathaniel Mackey calls “ broken ' claim ( s ) to connection " between ...
... identity . The voice - over manifests some of the pitfalls of analytic interpretation and in so doing reveals at least some of what's problematic in constant invoca- tions of Ellingtonian elegance and , especially , Ellingtonian ...
... identity in or for itself , but held , rather , in identity's relation to a general up- heaval . So that this is about the force that animates and awaits release from texts and canvases that represent the itineraries and locales of ...
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Contenido
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
Baldwins Baraka His Mirror Stage the Sound of His Gaze | 171 |
Black Monin in the Sound of the Photograph | 192 |
Tonality of Totality | 211 |
Adrian Pipers Theatricality | 233 |
Notes | 255 |
Index | 307 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Sin vista previa disponible - 2003 |