In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 2003 M04 9 - 332 páginas Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... movement of a specific upheaval , an ongoing irruption that anarranges every line — is a strain that pressures the assumption of the equivalence of personhood and subjectivity . While subjectivity is defined by the subject's possession ...
... movement exemplified by an aspect of Judith But- ler's massive theoretical contribution wherein the call to subjectivity is understood also as a call to subjection and subjugation and appeals for redress or protection to the state or to ...
... movement . The first element is the transference of a radically exterior aurality that disrupts and resists certain formations of identity and in- terpretation by challenging the reducibility of phonic matter to verbal meaning or ...
... movement cuts and augments the primal . If we return again and again to a certain passion , a passionate response to passionate utterance , horn - voice - horn over percussion , a protest , an objection , it is because it is more than ...
... movement from slave labor to " free " labor . These transitions are both characterized by the commodity , [ as ] exchange value , taking precedence over the - individual- as - use - value , despite the fact that the individual is still ...
Contenido
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
Baldwins Baraka His Mirror Stage the Sound of His Gaze | 171 |
Black Monin in the Sound of the Photograph | 192 |
Tonality of Totality | 211 |
Adrian Pipers Theatricality | 233 |
Notes | 255 |
Index | 307 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Sin vista previa disponible - 2003 |