In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 2003 M04 9 - 332 páginas Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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Resultados 1-5 de 34
... origin of the subject and demonstrates that to be a slave is to be under the brutal power and authority of another ; this is confirmed by the event's placement in the opening chapter on genealogy . I have chosen not to reproduce ...
... origin precisely in the interest of destabilizing its originarity and originarity in general , a destabilization Douglass founds in his original recitation , which is also an originary repression . It's the ongoing repression of the ...
... origin . It would work by way of an imaginative restoration of the figure of the mother to a realm deter- mined not only by verbal meaning and conventional musical form but by a nostalgic specularity and a necessarily endogamous ...
... epochal counterfactual , the always already belated origin of the music that ought to be understood as the rigorously sounded cri- tique of the theory of value . I have often been awakened at the dawn of day 18 - RESISTANCE OF THE OBJECT.
... origin — lies the trace of our descent . That place— locus of an ongoingly other recording of event , object , music — is Abbey Lincoln's narrative . This is a recording , an improvisation , of her words , troubled by the trace of the ...
Contenido
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
Baldwins Baraka His Mirror Stage the Sound of His Gaze | 171 |
Black Monin in the Sound of the Photograph | 192 |
Tonality of Totality | 211 |
Adrian Pipers Theatricality | 233 |
Notes | 255 |
Index | 307 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Sin vista previa disponible - 2003 |