In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 2003 M04 9 - 332 páginas Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... perhaps less controversially , the essence of black performance ) is a being maternal that is indistinguishable from a being material . But it is also to say something more . And here , the issue of reproduction ( the " natural ...
... Perhaps by way of an understanding of a difference between the drive and energy that is of the same problematic structure as that between the origin and the initial . ) There can be no question of restricting one or the other of the ...
... perhaps unconscious , formulation of the avant - garde as neces- sarily not black . Part of what I'm after now is this : an assertion that the avant - garde is a black thing ( that , for the sake of argument , Richard Scheduler wouldn't ...
... perhaps the blur signifies that everything is ( in ) Cecil Taylor , is im- provisation or , more precisely , that the improvisation of a notion ( or , perhaps more faithfully , a phenomenology ) of the ensemble heretofore weakly ...
... perhaps an improvisation through the singular difference of the idiom and its occasion ; perhaps an acalculation of that function whose upper limit is reading and whose lower limit is transcription — an improvisa- tion through phrases ...
Contenido
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
Baldwins Baraka His Mirror Stage the Sound of His Gaze | 171 |
Black Monin in the Sound of the Photograph | 192 |
Tonality of Totality | 211 |
Adrian Pipers Theatricality | 233 |
Notes | 255 |
Index | 307 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Sin vista previa disponible - 2003 |