In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 2003 M04 9 - 332 páginas Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
Dentro del libro
Resultados 1-5 de 52
... recording , or other- wise , without the prior written permission of the publisher . Published by the University of Minnesota Press 111 Third Avenue South , Suite 290 Minneapolis , MN 55401-2520 http://www.upress.umn.edu Library of ...
... recording of a sound figured as external both to music and to speech in black music and speech . In his critical deployment of such music and speech , Douglass dis- covers a hermeneutic that is simultaneously broken and expanded by an ...
... recording , just as our access to it is made possible only by way of recordings . We move within a series of phonographic anticipations , encrypted messages , sent and sending on frequencies Marx tunes to accidentally , for effect ...
... recording of the ( real ) example that anticipates the ( impossible ) exam- ple ; imagine that recording as the graphic reproduction of a scene of instruction , one always already cut by its own repression ; imagine what cuts and ...
... recording and revaluation of value , of the theory of value , of the theories of value.13 It's the ongoing event of an antiorigin and an anteorigin , replay and reverb of an impossible natal occasion , the performance of the birth and ...
Contenido
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
Baldwins Baraka His Mirror Stage the Sound of His Gaze | 171 |
Black Monin in the Sound of the Photograph | 192 |
Tonality of Totality | 211 |
Adrian Pipers Theatricality | 233 |
Notes | 255 |
Index | 307 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Sin vista previa disponible - 2003 |