In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 2003 M04 9 - 332 páginas Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
Dentro del libro
Resultados 1-5 de 39
... representation and analysis — in painting and prose- of that encounter . Something in Delaney's Parisian paintings and autobiographical writings helps to illuminate the necessary connection between black political reason , the ...
... ; nation and race ; the imposition and maintenance of hierarchical relations within these units ; the vexed and impossible task of a reconciliation of one and many via representation THE SENTIMENTAL AVANT - GARDE - 45.
... representation ? Here it is if I could work through expressive singularity , the im / possibility of direct communication , the ideas of writing as visible speech and writing as independent of speech . Here it is if idiom becomes the ...
... representation that is sound become dispersive sensuality . So , in a kind of holosensual , holoesthetic reversal , one hears music in Taylor's visual - spatial description and sees gestures and spaces in an aurality that exceeds but ...
... representation . This direction , seen in conjunction with Parkin's attempt to think through the constative / performative opposition that grounds Lévi - Strauss's notion of the difference between myth and rit- ual , would also lead to ...
Contenido
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
Baldwins Baraka His Mirror Stage the Sound of His Gaze | 171 |
Black Monin in the Sound of the Photograph | 192 |
Tonality of Totality | 211 |
Adrian Pipers Theatricality | 233 |
Notes | 255 |
Index | 307 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Sin vista previa disponible - 2003 |