In The Break: The Aesthetics Of The Black Radical TraditionU of Minnesota Press, 2003 M04 9 - 332 páginas Investigates the connections between jazz, sexual identity, and radical black politics Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition |
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... specific upheaval , an ongoing irruption that anarranges every line — is a strain that pressures the assumption of the equivalence of personhood and subjectivity . While subjectivity is defined by the subject's possession of itself and ...
... specific meaning of those impossible or unreal propositions imposed upon the commodity from outside . The words Marx puts into the commodity's mouth are these : " our use value ... does not belong to us as objects . What does belong to ...
... specific occasion to learn who the female is within itself , the infant child who bears the life against the could - be fateful gamble , against the odds of pulverization and murder , including her own . It is the heritage of the mother ...
... specific and unresolvable contradiction . " 15 She is speaking of a certain dematerialization that marks the transition from precapitalist to capitalist production and that works analogously to a dematerializ- ing operation animating ...
... specific and brutal kind of horror as Roach's object , accessing and performing , recording , that history , moving in the double- ness of possession , the sexuality of spirituality and the anoriginality of black performances . Not the ...
Contenido
25 | |
31 | |
41 | |
Praying with Eric | 63 |
Tragedy Elegy | 85 |
The Dark Lady and the Sexual Cut | 102 |
German Inversion | 122 |
Round the Five Spot | 149 |
Baldwins Baraka His Mirror Stage the Sound of His Gaze | 171 |
Black Monin in the Sound of the Photograph | 192 |
Tonality of Totality | 211 |
Adrian Pipers Theatricality | 233 |
Notes | 255 |
Index | 307 |
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In the Break: The Aesthetics of the Black Radical Tradition Fred Moten Sin vista previa disponible - 2003 |