The Works of Shakespeare, Volumen2Printed at the Clarendon Press, 1770 |
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Página 4
... SCENE partly at Venice , and partly at Belmont , the Seat of PORTIA upon the Continent . THE THE MERCHANT OF VENICE . ACT I. SCENE I. Enter DRAMATIS PERSONE. ...
... SCENE partly at Venice , and partly at Belmont , the Seat of PORTIA upon the Continent . THE THE MERCHANT OF VENICE . ACT I. SCENE I. Enter DRAMATIS PERSONE. ...
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... Go , prefently inquire , and fo will I , Where money is ; and I no queftion make To have it of my truft , or for my fake . a Thrift , for thriving . [ Exeunt . SCENE SCENE II . Belmont . Three cafkets are fet out 10 THE OF VENICE .
... Go , prefently inquire , and fo will I , Where money is ; and I no queftion make To have it of my truft , or for my fake . a Thrift , for thriving . [ Exeunt . SCENE SCENE II . Belmont . Three cafkets are fet out 10 THE OF VENICE .
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William Shakespeare. SCENE II . Belmont . Three cafkets are fet out , one of gold , another of filver , and another of lead . Port . Enter Portia , and Neriffa . Y my troth , Nerissa , my little body is weary of this ... SCENE II. ...
William Shakespeare. SCENE II . Belmont . Three cafkets are fet out , one of gold , another of filver , and another of lead . Port . Enter Portia , and Neriffa . Y my troth , Nerissa , my little body is weary of this ... SCENE II. ...
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... SCENE I. Belmont . Enter Morochius a tawny - moor all in white , and three or four followers accordingly , with Portia , Neriffa , and her train . Flourish cornets . M'S MOROCHI U S. ISLIKE me not for my complexion , The shadow'd livery ...
... SCENE I. Belmont . Enter Morochius a tawny - moor all in white , and three or four followers accordingly , with Portia , Neriffa , and her train . Flourish cornets . M'S MOROCHI U S. ISLIKE me not for my complexion , The shadow'd livery ...
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... SCENE II . Venice . Enter Launcelot alone . ERTAINLY , my confcience will ferve me to run from this Few my mafter . The fiend is at mine elbow , and tempts me , faying to me , Gobbo , Launcelot Gobbo , good Launcelot , or good Gobbo ...
... SCENE II . Venice . Enter Launcelot alone . ERTAINLY , my confcience will ferve me to run from this Few my mafter . The fiend is at mine elbow , and tempts me , faying to me , Gobbo , Launcelot Gobbo , good Launcelot , or good Gobbo ...
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afide againſt anſwer Anthonio Baff beſt better Biron Bithynia Boyet buſineſs Cath cauſe chooſe Coft daughter defire doft doth ducats Duke elſe Enter Exeunt Exit eyes faid fair father fhall fignior fince fing firſt fleſh fome fool foul ftand fuch fure fwear fweet gentleman give Gremio hath hear heart heav'n himſelf honour horſe Hortenfio houſe huſband Illyria itſelf King lady lord Lucentio madam mafter Malvolio marry miſtreſs moft moſt Moth muft muſt myſelf omitted Orla Padua Petruchio pleaſe Pompey pr'ythee praiſe pray preſent purpoſe reaſon Rofalind ſay SCENE ſee ſhall ſhe ſhould ſhow Shylock Solarino ſome ſpeak ſtand ſtay ſuch ſweet tell thee theſe thoſe thou art thouſand Tranio uſe whoſe wife yourſelf