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Liberty, See National Anthem

Lido (The), ride on, introduced in "Julian and Mad-
dalo," iv. 113

Life lengthened by adopting vegetable diet, i. 128
Light, velocity of, i. 77

Lilith, the first wife of Adam (Goethe's "Faust"),
v. 258

Lind (Dr. James), portrayed in "Laon and Cythna,'
and "Prince Athanase," i. xvii

Lines ("Far, far away"), 1821, v. 66

("That time is dead for ever, child"), 1817, iv. 317
("The cold earth slept below"), 1816, iv. 299
("We meet not as we parted"), 1822, v. 125
"When the lamp is shattered"), 1822, v. 113

Lines to a Critic (1817), iv. 323

Lines to a Reviewer (1820), v. 35

Lines to William Godwin, iv. 311

Lines written among the Euganean Hills, October
1818, ii. 279-289; referred to, i. xliv, xlv

Lines written during the Castlereagh Administration
(1819), v. 5; referred to, v. vi

Lines written in the Bay of Lerici (1822), v. 123
Lionel in "Rosalind and Helen,” ii. 257

In "The Boat on the Serchio"-Shelley, v. 100
Lisander ("Magico Prodigioso"), v. 237

Livia (“Magico Prodigioso”), v. 213, 237
Lord (The), in Goethe's "Faust," v. 242

Lord Chancellor, To the (poem of 1817), iv. 311

Love (poem of 1811), v. 300

Love, Hope, Desire, and Fear (fragment, 1821), v. 80
Love, should be free, i. 87

Two fragments on (1821), v. 104

Love the Universe (fragment, 1819), v. 14
Love's Atmosphere (fragment, 1819), v. 18
Love's Philosophy (poem of 1819), v. 22
Manuscript of, v. vi

Love's Rose (poem of 1811 ?), v. 305

Lucan's "Pharsalia," motto from, i. 177

Reference to the bite of the Numidian seps in,
iii. 215

Reference to the bite of the dipsas in, iii. 227
Referred to, ii. 167; iii. 231 (note)

Lucretia, wife of Count Cenci, character in "The
Cenci," iii. 13

Lucretius, motto to "Queen Mab" from, i. 1; quota-
tions from, i. 83, 87

Lyttelton (Secretary), character in "Charles I.",
iv. 236

Maddalo, a courtier ("Scene from Tasso "), iv. 336
Maddalo (Count), in "Julian and Maddalo"=Byron,
i. xliv; iv. 110 (note)

66

Magic Plant (The)," embodied in "Fragments of an
Unfinished Drama," iv. 226

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"Magico Prodigioso,' scenes from the, translated
from the Spanish of Calderon, 1822, v. 211-239
Magnetic Lady to her Patient (The), poem of 1822,

v. 111

Mahmud, character in "Hellas," iv. 43

Mahomet ("Prologue to Hellas"), v. 84, 87
Malpiglio, a poet ("Scene from Tasso "), iv. 336
Mammon, Arch-priest of Famine in " Edipus Ty-
rannus," iii. 313

Manchester massacre, iv. 134

Marenghi (poem of 1818), iv. 338

Marianne's Dream (poem of 1817), iv. 303
Marina, pet-name for Mary Shelley, iii. 374
Marriage hostile to human happiness, i. 87 et seq.
Marseillaise, stanza adapted from the, v. 298
Mary (To) with "The Witch of Atlas," iv. 199
Mary (To), poem of 1818, iv. 330

Mary [Wollstonecraft Shelley] (To), with "Laon and
Cythna,"
" ii. 16

Mary, Two fragments to (1819), v. 20

"What Mary is when she a little smiles," v. 210
Mary (To) who died in this opinion (poem of 1811),

v. 306

Marzio, assassin in "The Cenci," iii. 13

Mask of Anarchy (The), written on the Occasion of
the Massacre at Manchester, iv. 134-149

Rejected stanzas, iv. 142, 145

The holograph of, iv. vi

Referred to, i. xlviii, lvi; iv. vi

Matilda gathering Flowers, from the "Purgatorio
of Dante, v. 208

Mavrocordato (Prince Alexander), "Hellas" dedi-
cated to, iv. 35; referred to, i. 1, lv
May-day night (Goethe's "Faust"), v. 245.

Medusa (On the) of Leonardo da Vinci in the Floren-
tine Gallery (poem of 1819), v. 20

Medwin (Thomas), i. vi, xiv, xix, xx, 1, liv; v. vi

Melchior in "The Boat on the Serchio" = Williams,
v. 100

Melody to a Scene of Former Times (poem of 1810),
v. 296

Mephistopheles (Goethe's "Faust"), v. 242

Mercury, Hymn to, from the Greek of Homer, v. 129;
referred to i. 1; v. vi

In "Prometheus Unbound," iii. 149
Michael (Goethe's "Faust"), v. 240

Miching Mallecho, See Peter Bell the Third
Midas, Drama by Williams on the subject of, v. 27
(note)

Milan, quenchless ashes of, iv. 47, 88

Visconti, tyrants of, v. 42

Military character, ridiculousness of the, i. 79
Milton, his vision of Liberty, iii. 301

"The third among the sons of light," iv. 8
Quotation from, i. 121

Referred to, v. 25 (note), 119 (note)
Milton's Spirit (fragment, 1820), v. 60

Minerva, Homer's Hymn to (translated 1818 ?), v. 162
Minotaur (the), in "Edipus Tyrannus," iii. 313
Miracles, impossibility of, i. 115

Miscellaneous Posthumous Poems, iv. 297-345; v.
3-126

Misery, Invocation to (poem of 1818), iv, 326

Mont Blanc, Lines written in the Vale of Chamouni,
i. 197-203; referred to, i. vii, xxxviii
Cancelled passage, i. 203

Moon, Homer's Hymn to the (translated 1818?) v. 159
Spirit of the, in "Prometheus Unbound," iii. 149
Moon, The Waning (fragment 1820), v. 57

Moon, To the (fragment, 1820), v. 57

Moon, To the (fragment, 1822), v. 126
Moonbeam, To the (poem of 1811), v. 303
Moore (Thomas), iv. 19, 30, 150

Moschus, translation from the Greek of, i. 176

Fragment of the Elegy on the death of Bion, v.203
Pan, Echo and the Satyr, from the Greek of, v.
204

Motto for "Adonais " from Elegy on the death of
Bion, iv. 3

Moscon ("Magico Prodigioso"), v. 211

Moses the Sow-gelder, in " Edipus Tyrannus," iii.

313

Mother and Son (poem of 1812), v. 307

f

Mountcashell (Lady), her garden at Pisa the scene of
"The Sensitive Plant," iii. 261 (note)

Referred to, i. 1

Murder as a means of justice, i. 78

Music (poem of 1821), v. 102

Music, Two Fragments to (1817), iv. 321
Mutability (poem published 1816), i. 170
Mutability (poem of 1821), v. 69

Naples, Ode to (poem of 1820), v. 38; See Stanzas
Napoleon, Written on hearing the news of the death
of (poem of 1821), iv. 92; referred to, i. lvi.
See Bonaparte

National Anthem [for Liberty] (poem of 1819), v. S
Nature, Spirit of, i. 13, 183
"Nature's Modesty," ii. 135

Necessity, doctrine of, i. 93

Necessity of Atheism (The), tract of 1811, reprinted
in Notes to " Queen Mab," i. 98

Referred to, i. xxiv

Newton (J. F.), his "Defence of Vegetable Regimen ”
quoted, i. 122

Beauty and healthfulness of his children, i. 134
(note)

Referred to, i. xxix

Nicholson (Margaret), See Posthumous Fragments
Night (To), poem of 1821, v. 63

Nile, Sonnet to the (1818), iv. 324

Ocean, in "Prometheus Unbound,” iii. 149
Oceanides, in "Prometheus Unbound," iii. 149
Ode (An) [written, October, 1819, before the Spaniards
had recovered their liberty], iii. 287; cancelled
stanza, iii. 288

Ode to Heaven (1819), iii. 281; referred to i. 1; iii. vi
Ode to Liberty (1819), iii. 295; cancelled passage, iii.
307; referred to, i. xlviii, 1; iii. vi, ix; v. 98
(note)

Ode to Naples (1820), v. 38

Ode to the West Wind (1819), iii. 284; referred to, i.
xlviii, 1

Edipus Tyrannus, or Swellfoot the Tyrant, a
Tragedy in two acts, iii. 311-349
Advertizement, iii. 311

Dramatis Personæ, iii. 313

Referred to, i. 1, li; iii. v

Olimpio, assassin in "The Cenci," iii. 13

Oliver, the spy who instigated Brandreth, Turner,
and Ludlam, iv. 161 (note), 183

Ollier (C. and J.), publish for Shelley, i. xli
Orpheus (poem of 1820), v. 49

Orsino, character in "The Cenci," iii. 13

Original Poetry by Victor and Cazire (1810), i. xxi,
Xxxviii

"Osservatore Fiorentino," source of "Ginevra,” v.
90 (note)

"Othman," the tyrant in "Laon and Cythna," ii. 105
Otho (poem of 1817), iv. 318

Ozymandias, Sonnet (published 1818), ii. 294
Referred to, i. xlv; ii. v

Pacchiani, Francesco, i. 1
Padua, many-doméd, ii. 285

Pan, Hymn of (poem of 1820), v. 29

66

Pan, Echo, and the Satyr, from Moschus, v. 204
Pandemos and Urania," original title of "Prince
Athanase," iv. 109 (note)

Panthea, in "Prometheus Unbound," iii. 149
Paradise ("Laon and Cythna"), ii. 225
"Paradise Lost," quotation from, i. 121
Passage of the Apennines (poem of 1818), iv. 324
Past (The), poem of 1818, iv. 325

Peace first and last (fragment, 1821), v. 90
Peacock (T. L.), his "fine wit," iv. 196

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Nightmare Abbey," parallel passage, iii. 339
Referred to, i. xxix, xxxvi, xxxviii, xlvii, liii, lv
People of England (To the), fragment, 1819, v. 7
Pestilence, a withered woman, ii. 138

Peter Bell the Third, by Miching Mallecho, Esq., iv.

150-187

Dedication to Thomas Brown, Esq., the younger,
iv. 150

Prologue iv. 153; Part 1, Death, 155; Part 2,
the Devil, 158; Part 3, Hell, 161; Part 4, Sin,
166; Part 5, Grace, 170; Part 6, Danination,
173; Part 7, Double Damnation, 182
Alluded to, i. xlviii

Petrella, castle of, iii. 12, 13, 39, 57, 68 et seq., 126
Phantasm of Jupiter, in " Prometheus Unbound,"
iii. 149

Philosophical View of Reform (1819), i. xlvii
Pigna, à minister ("Scene from Tasso "), iv. 336

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