A View of the English Stage: Or, A Series of Dramatic CriticismsRobert Stodart, 1818 - 461 páginas Collected dramatic criticism by William Hazlitt, one of the highest regarded critic and essayists in the history of the English language. |
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Página x
... represented in the ripeness and plenitude of her power ! " This is indeed an uncompromising utterance of " the Kemble religion " ; but Hazlitt was at no time a bigot . He did not share Leigh Hunt's contempt for the Young Roscius ...
... represented in the ripeness and plenitude of her power ! " This is indeed an uncompromising utterance of " the Kemble religion " ; but Hazlitt was at no time a bigot . He did not share Leigh Hunt's contempt for the Young Roscius ...
Página xvi
... represented by Dowton , Bannister , Miss Mellon and Mrs. Glover . It could make no head against the opposition of Covent Garden , where , though Kemble did not appear , tragedy was represented by Charles Kemble and Charles Mayne Young ...
... represented by Dowton , Bannister , Miss Mellon and Mrs. Glover . It could make no head against the opposition of Covent Garden , where , though Kemble did not appear , tragedy was represented by Charles Kemble and Charles Mayne Young ...
Página 4
... represented with greater distinctness and precision , more perfectly articulated in every part . Perhaps , indeed , there is too much of this for we sometimes thought he failed , even from an exube- rance of talent , and dissipated the ...
... represented with greater distinctness and precision , more perfectly articulated in every part . Perhaps , indeed , there is too much of this for we sometimes thought he failed , even from an exube- rance of talent , and dissipated the ...
Página 6
... representing this scene was more violent , hurried , and full of anxious uncertainty . This , though more natural in general , was , we think , less in character . Richard should woo , not as a lover , but as an actor - to show his ...
... representing this scene was more violent , hurried , and full of anxious uncertainty . This , though more natural in general , was , we think , less in character . Richard should woo , not as a lover , but as an actor - to show his ...
Página 20
... represents . Her deportment is not par- ticularly graceful : there is a heaviness and want of firm- ness about it . Her features are regular , and the upper part of her face finely expressive of terror or sorrow . It has that mixture of ...
... represents . Her deportment is not par- ticularly graceful : there is a heaviness and want of firm- ness about it . Her features are regular , and the upper part of her face finely expressive of terror or sorrow . It has that mixture of ...
Otras ediciones - Ver todas
A View of the English Stage: Or, a Series of Dramatic Criticisms William Hazlitt Vista completa - 1821 |
A View of the English Stage: Or, A Series of Dramatic Criticisms William Hazlitt Vista completa - 1906 |
Términos y frases comunes
action actor actress admirable appearance applause audience beautiful Beggar's Opera character Charles Kemble comedy comic contempt Coriolanus Covent Garden Covent Garden Theatre criticism delight Desdemona dignity Drury Lane Drury Lane Theatre effect English Stage equal Examiner excellence expression fancy fault favourite feeling friends gaiety Garrick genius give grace Hamlet Hazlitt heart human humour Iago imagination imitation impression indifference interest Junius Brutus Booth Kean Kean's Kemble Kemble's King Lady laugh Lear Leigh Hunt London Magazine look Macbeth Macready Macready's manner mind Miss O'Neill Morning Chronicle nature never night O'Neill's Othello passage passion Paternoster Square pathos perfect performance perhaps person play players pleasure poet poetry Portrait racter Richard scene seemed seen sense sentiment Shakespeare Shylock Siddons song soul speak speech spirit success theatre theatrical thing thou thought tion tone tragedy voice whole wish words
Pasajes populares
Página 217 - Pray, do not mock me : I am a very foolish fond old man, Fourscore and upward, not an hour more nor less ; And, to deal plainly, I fear I am not in my perfect mind. Methinks I should know you, and know this man ; Yet I am doubtful...
Página 53 - Dangerous conceits are, in their natures, poisons, Which at the first are scarce found to distaste, But, with a little act upon the blood, Burn like the mines of sulphur.
Página 211 - Hear, nature, hear ; dear goddess, hear ! — Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase ; And from her derogate body never spring A babe to honour her ! If she must teem, Create her child of spleen ; that it may live, And be a thwart disnatured torment to her...
Página 217 - Methinks I should know you and know this man; Yet I am doubtful; for I am mainly ignorant What place this is, and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night. Do not laugh at me; For, as I am a man, I think this lady To be my child Cordelia.
Página 32 - I have liv'd long enough : my way of life Is fallen into the sear, the yellow leaf : And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses not loud, but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
Página 216 - Tom? whom the foul fiend hath led through fire and through flame, through ford and whirlpool, o'er bog and quagmire; that hath laid knives under his pillow, and halters in his pew...
Página 193 - Man, proud man, Drest in a little brief authority, Plays such fantastic tricks before high Heaven As make the angels weep.
Página 152 - The web of our life is of a mingled yarn, good and ill together...
Página 82 - All school-days' friendship, childhood innocence? We, Hermia, like two artificial gods, Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key; As if our hands, our sides, voices, and minds, Had been incorporate.
Página 88 - Ay, but to die, and go we know not where ; To lie in cold obstruction and to rot ; This sensible warm motion to become 120 A kneaded clod ; and the delighted spirit To bathe in fiery floods...