The Arts in Mind: Pioneering Texts of a Coterie of British Men of LettersRuth HaCohen Routledge, 2017 M11 30 - 431 páginas Amajor shift in critical attitudes toward the arts took place in the eighteenth century. The fine arts were now looked upon as a group, divorced from the sciences and governed by their own rules. The century abounded with treatises that sought to establish the overriding principles that differentiate art from other walks of life as well as the principles that differentiate them from each other. This burst of scholarly activity resulted in the incorporation of aesthetics among the classic branches of philosophy, heralding the cognitive turn in epistemology. Among the writings that initiated this turn, none were more important than the British contribution. The Arts in Mind brings together an annotated selection of these key texts. A companion volume to the editors' Tuning the Mind, which analyzed this major shift in world view and its historical context, The Arts in Mind is the first representative sampling of what constitutes an important school of British thought. The texts are neither obscure nor forgotten, although most histories of eighteenth-century thought treat them in a partial or incomplete way. Here they are made available complete or through representative extracts together with an editor's introduction to each selection providing essential biographical and intellectual background. The treatises included are representative of the changed climate of opinion which entailed new issues such as those of perception, symbolic function, and the role of history and culture in shaping the world.> |
Dentro del libro
Resultados 1-5 de 58
... measure to the legitimation which these thinkers bestowed upon it. Since our group constitutes an “invisible college,” representative of an important trend of thought in the second half of the eighteenth century, we wished also to ...
... measure, to Locke, who was entrusted with overseeing his early education. Shaftesbury's major contribution lies in the field of ethics. In his various attacks on the principle of egoism, central to Hobbes' social theory, he tried to ...
... Measures; by which he justly represents them, marks the Sublime of Sentiments and Action, and distinguishes the Beautiful from the Deform'd, the Amiable from the Odious, The moral Artist, who can thus imitate the Creator, and.
... Measure of sound, but a happier and more easy Rangement of Thoughts, in one Speaker, than in another. IT may be easily perceiv'd from hence, that the Goddess PERSUASION must have been in a manner the Mother of Poetry, Rhetorick, Mustek ...
... Measure, Arrangement and Disposition of their several Parts. So in Behaviour and Actions, when presented to our Understanding, there must be found, of necessity, an apparent Difference, according to the Regularity or Irregularity of the ...
Contenido
Francis Hutcheson | |
Hildebrand Jacob | |
James Harris | |
Charles Avison | |
James Beattie | |
Daniel Webb | |
Thomas Twining | |
Adam Smith | |
from Of The Nature of that Imitation which Takes | |
Otras ediciones - Ver todas
The Arts in Mind: Pioneering Texts of a Coterie of British Men of Letters Ruth Katz,Ruth HaCohen Vista previa limitada - 2003 |
The Arts in Mind: Pioneering Texts of a Coterie of British Men of Letters Ruth Katz,Ruth HaCohen Sin vista previa disponible - 2003 |
The Arts in Mind: Pioneering Texts of a Coterie of British Men of Letters Ruth Hacohen Sin vista previa disponible - 2018 |