The Sound of Light: A History of Gospel MusicBowling Green State University Popular Press, 1990 - 267 páginas Don Cusic presents gospel music as part of the history of contemporary Christianity. From the psalms of the early Puritans through the hymns of Isaac Watts and the social activism of the Wesleys, gospel music was established in eighteenth-century America. With the camp meetings songs of the Kentucky Revival and the spirituals and hymns that stemmed from the Civil War and beyond, gospel music grew through the nineteenth century and expanded through new technologies in the twentieth century. |
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Página 44
... musicians took up residence in the major cities and these professionals replaced the native amateur musicians who had dominated the colonial period . With the establishment of the European professional came the attitude that native ...
... musicians took up residence in the major cities and these professionals replaced the native amateur musicians who had dominated the colonial period . With the establishment of the European professional came the attitude that native ...
Página 82
... musicians to play the music . Musicians such as Eubie Blake and James P. Johnson - whose piano - playing style was later made famous by Fats Waller - influenced white musicians and audiences directly as well as songwriters . Irving ...
... musicians to play the music . Musicians such as Eubie Blake and James P. Johnson - whose piano - playing style was later made famous by Fats Waller - influenced white musicians and audiences directly as well as songwriters . Irving ...
Página 204
... musicians who come over for a Summer of Service as well as those who serve full - time on staff . But while she is open to American musicians wanting to come over to Europe to play , she feels a need to be careful about choosing musicians ...
... musicians who come over for a Summer of Service as well as those who serve full - time on staff . But while she is open to American musicians wanting to come over to Europe to play , she feels a need to be careful about choosing musicians ...
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