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Página 37
For he had really shown in The Prelude that he ' worshipped among the depths of
things ' a Power which was in a living relationship with him , whose influence he
felt even in his breathing and the flow of his blood . By no means all Christian ...
For he had really shown in The Prelude that he ' worshipped among the depths of
things ' a Power which was in a living relationship with him , whose influence he
felt even in his breathing and the flow of his blood . By no means all Christian ...
Página 137
The portrait which Carlyle drew in 1851 – “ this memorable man ( in whom ) a ray
of heavenly inspiration struggled , in a tragically ineffectual degree , with the
weakness of flesh and blood ” 5 – remained for most a sufficient likeness . As late
as ...
The portrait which Carlyle drew in 1851 – “ this memorable man ( in whom ) a ray
of heavenly inspiration struggled , in a tragically ineffectual degree , with the
weakness of flesh and blood ” 5 – remained for most a sufficient likeness . As late
as ...
Página 83
And it said , “ All theoretic changes have ended in blood and ennui . If we change
, we must change slowly and safely , as the animals do . Nature ' s revolutions are
the only successful ones . There has been no conservative reaction in favour ...
And it said , “ All theoretic changes have ended in blood and ennui . If we change
, we must change slowly and safely , as the animals do . Nature ' s revolutions are
the only successful ones . There has been no conservative reaction in favour ...
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Contenido
ARNOLD AND EARLY VICTORIAN POETIC THEORY | 9 |
WORDSWORTH | 31 |
BYRON | 58 |
Derechos de autor | |
Otras 16 secciones no mostradas
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Términos y frases comunes
accept according achievement action admired Ancients appears argument Arnold authority Bacon beauty become believed Byron called century changes chapter character claims classical clear Coleridge common complete course criticism described differences doctrine drama Dryden edition effect effort Elizabethan England English essay example expression fact feeling French genius give human ideas important instance intellectual interest John Keats kind knowledge language later latitude least Letters limited literary literature living logical London Marius matter meaning method mind moral nature neo-classical objective opinion particular passage Pater perhaps philosophy phrase poem poet poetic poetry possible practice present principles probability question reader reason religion religious Restoration revision rules Rymer says seems sense sentence seventeenth Shelley Shelley's spirit standards style suggested theory things third thought true truth universal Victorian vols whole Wordsworth writing