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Página 97
42 Since Swinburne could feel , as he did , 43 that Arnold had been extremely
kind to Keats ' s character , it is apparent that if we are dealing here with snobbery
, we are dealing with the snobbery of an age , not of one critic . Along with ...
42 Since Swinburne could feel , as he did , 43 that Arnold had been extremely
kind to Keats ' s character , it is apparent that if we are dealing here with snobbery
, we are dealing with the snobbery of an age , not of one critic . Along with ...
Página 98
Keats had flint and iron in him . . . he had character . . . he was , as his brother
George says , “ as much like the Holy Ghost as Johnny Keats , ' – as that
imagined sensuous weakling , the delight of the literary circles of Hampstead . ”
46 To ...
Keats had flint and iron in him . . . he had character . . . he was , as his brother
George says , “ as much like the Holy Ghost as Johnny Keats , ' – as that
imagined sensuous weakling , the delight of the literary circles of Hampstead . ”
46 To ...
Página 126
dramatist ' s prerogative in altering the story to remove some of its ugliness and to
re - create the character of Beatrice in accordance with his attitude toward
revenge ; but for the most part , he allowed the story , in the words of Arnold , “ to
...
dramatist ' s prerogative in altering the story to remove some of its ugliness and to
re - create the character of Beatrice in accordance with his attitude toward
revenge ; but for the most part , he allowed the story , in the words of Arnold , “ to
...
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Contenido
ARNOLD AND EARLY VICTORIAN POETIC THEORY | 9 |
WORDSWORTH | 31 |
BYRON | 58 |
Derechos de autor | |
Otras 16 secciones no mostradas
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Términos y frases comunes
accept according achievement action admired Ancients appears argument Arnold authority Bacon beauty become believed Byron called century changes chapter character claims classical clear Coleridge common complete course criticism described differences doctrine drama Dryden edition effect effort Elizabethan England English essay example expression fact feeling French genius give human ideas important instance intellectual interest John Keats kind knowledge language later latitude least Letters limited literary literature living logical London Marius matter meaning method mind moral nature neo-classical objective opinion particular passage Pater perhaps philosophy phrase poem poet poetic poetry possible practice present principles probability question reader reason religion religious Restoration revision rules Rymer says seems sense sentence seventeenth Shelley Shelley's spirit standards style suggested theory things third thought true truth universal Victorian vols whole Wordsworth writing