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Página 88
The use of the neutral word “ interests " to cover both the various appeals of
music and the appeals of literature conceals the quite inadmissible suggestion
that music ' s appeal is necessarily emotional and literature ' s intellectual . Words
are ...
The use of the neutral word “ interests " to cover both the various appeals of
music and the appeals of literature conceals the quite inadmissible suggestion
that music ' s appeal is necessarily emotional and literature ' s intellectual . Words
are ...
Página 11
Of its own time , literary criticism will be subject to the same pressure of opinions
and attitudes as any other serious intellectual activity . For example , Elizabethan
criticism could be moralistic or nationalistic when it was not purely rhetorical .
Of its own time , literary criticism will be subject to the same pressure of opinions
and attitudes as any other serious intellectual activity . For example , Elizabethan
criticism could be moralistic or nationalistic when it was not purely rhetorical .
Página 101
16 Among these modern studies some writers have briefly described Dryden ' s
intellectual milieu . In Laura Wylie ' s survey of English criticism , the new criticism
which Dryden represents is associated with the practices of the Royal Society ...
16 Among these modern studies some writers have briefly described Dryden ' s
intellectual milieu . In Laura Wylie ' s survey of English criticism , the new criticism
which Dryden represents is associated with the practices of the Royal Society ...
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Contenido
ARNOLD AND EARLY VICTORIAN POETIC THEORY | 9 |
WORDSWORTH | 31 |
BYRON | 58 |
Derechos de autor | |
Otras 16 secciones no mostradas
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Términos y frases comunes
accept according achievement action admired Ancients appears argument Arnold authority Bacon beauty become believed Byron called century changes chapter character claims classical clear Coleridge common complete course criticism described differences doctrine drama Dryden edition effect effort Elizabethan England English essay example expression fact feeling French genius give human ideas important instance intellectual interest John Keats kind knowledge language later latitude least Letters limited literary literature living logical London Marius matter meaning method mind moral nature neo-classical objective opinion particular passage Pater perhaps philosophy phrase poem poet poetic poetry possible practice present principles probability question reader reason religion religious Restoration revision rules Rymer says seems sense sentence seventeenth Shelley Shelley's spirit standards style suggested theory things third thought true truth universal Victorian vols whole Wordsworth writing