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Página 43
In his edition of Wordsworth , Arnold classifies Michael as narrative , The
Fountain as reflective or elegiac , and The Solitary Reaper as lyric . To Arnold ,
Michael would be a satisfactory narrative . Unlike the tales of Byron , it is not a
mere ...
In his edition of Wordsworth , Arnold classifies Michael as narrative , The
Fountain as reflective or elegiac , and The Solitary Reaper as lyric . To Arnold ,
Michael would be a satisfactory narrative . Unlike the tales of Byron , it is not a
mere ...
Página 67
Although he admittedly began the third canto with fifty - three irrelevant lines
taken from another poem , Byron produced in The Corsair a more sustained and
comprehensible narrative than he had in his two previous works . And finally in
Lara ...
Although he admittedly began the third canto with fifty - three irrelevant lines
taken from another poem , Byron produced in The Corsair a more sustained and
comprehensible narrative than he had in his two previous works . And finally in
Lara ...
Página 79
That Arnold considered Byron primarily a “ Descriptive and Narrative " poet can
be inferred from the number of pages which he includes under this heading as
compared with the number allotted to the other sections . Here we find the “
Journey ...
That Arnold considered Byron primarily a “ Descriptive and Narrative " poet can
be inferred from the number of pages which he includes under this heading as
compared with the number allotted to the other sections . Here we find the “
Journey ...
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Contenido
ARNOLD AND EARLY VICTORIAN POETIC THEORY | 9 |
WORDSWORTH | 31 |
BYRON | 58 |
Derechos de autor | |
Otras 16 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
accept according achievement action admired Ancients appears argument Arnold authority Bacon beauty become believed Byron called century changes chapter character claims classical clear Coleridge common complete course criticism described differences doctrine drama Dryden edition effect effort Elizabethan England English essay example expression fact feeling French genius give human ideas important instance intellectual interest John Keats kind knowledge language later latitude least Letters limited literary literature living logical London Marius matter meaning method mind moral nature neo-classical objective opinion particular passage Pater perhaps philosophy phrase poem poet poetic poetry possible practice present principles probability question reader reason religion religious Restoration revision rules Rymer says seems sense sentence seventeenth Shelley Shelley's spirit standards style suggested theory things third thought true truth universal Victorian vols whole Wordsworth writing