How to Enjoy PoetrySheed & Ward, 1948 - 288 páginas Informal discussion of the appreciation of poetry. |
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Página 49
... playing and singing well done ? If gifted speakers , trained and tried as are play- ers and singers , spoke poems on the air and stage and acted poetic plays in our halls , should we not ever so much more readily take to poetry ? Those ...
... playing and singing well done ? If gifted speakers , trained and tried as are play- ers and singers , spoke poems on the air and stage and acted poetic plays in our halls , should we not ever so much more readily take to poetry ? Those ...
Página 142
... play as the composer intended him to play . The poet , I say , has cruder apparatus for conveying his timing : nothing more than the weight of his syllables - his disposition , that is , of vowels and consonants — and his punctuation ...
... play as the composer intended him to play . The poet , I say , has cruder apparatus for conveying his timing : nothing more than the weight of his syllables - his disposition , that is , of vowels and consonants — and his punctuation ...
Página 176
... play with them . It must be a concurrent play of vowels and consonants ; and this compels the poet to watch how they act on meeting . Useless his employing hard , sharp consonants to echo the crack of iron heels on basalt if his vowels ...
... play with them . It must be a concurrent play of vowels and consonants ; and this compels the poet to watch how they act on meeting . Useless his employing hard , sharp consonants to echo the crack of iron heels on basalt if his vowels ...
Contenido
Dedication V | 3 |
Chapter | 45 |
Chapter Three | 61 |
Derechos de autor | |
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Términos y frases comunes
Akond of Swat alliteration allusion anapæst assonance Austin Clarke beauty blow breath bright Camelot chapter course dead delight doth dust E. C. Bentley English epigram euphony example eyes fair feel feet G. K. Chesterton Gaelic ghost give gone hath hear heart heavy stresses iambs inversion Irish John Peel Katharine Tynan Lady of Shalott Lamb language light stresses living look Lord lyric Margret mean metaphor metre metrical mind motion never night once passion pause personification phrase pleasure poem poet poet's poetic poetry prose reader rhyme rhythm Robert Farren round SECTION sense Shakespeare short silent sing song sonnet soul sound speak speech spirit stanza stars strong stress sweet syllables talk tell thee things thou thought tion trochee verse voice vowels vowels and consonants W. H. Davies W. J. Turner wind words wren write