Mimic Life: Or, Before and Behind the Curtain. A Series of NarrativesTicknor and Fields, 1856 - 408 páginas |
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Página vii
... Mattie , -Stella . The Sudden Proj- Ernest Rosenvelt , the Tragedian . A Mourner without Hope . -Stella's Startling ... Mattie's Retreat from the Manager's Office . - Disconcerted , not Conquered . An Inspiring Para- graph . Obituary of ...
... Mattie , -Stella . The Sudden Proj- Ernest Rosenvelt , the Tragedian . A Mourner without Hope . -Stella's Startling ... Mattie's Retreat from the Manager's Office . - Disconcerted , not Conquered . An Inspiring Para- graph . Obituary of ...
Página xi
... Mattie . Stella removed to her Home . Maternal Anguish . - De- votion of Mrs. Fairfax . Her Power over Stella . Ravings . Arrival of Ernest . The Group beside the Bed of the Young Actress one Fortnight after the Night of her Débût ...
... Mattie . Stella removed to her Home . Maternal Anguish . - De- votion of Mrs. Fairfax . Her Power over Stella . Ravings . Arrival of Ernest . The Group beside the Bed of the Young Actress one Fortnight after the Night of her Débût ...
Página 9
... Mattie . · Stella .. The Sudden Project . — Ernest Rosenvelt , the Tragedian . A Mourner without Hope . · Stella's Startling Disclosure to Mrs. Rosen- velt . — Apathy of the Mother , and Fixed Resolution of the Daughter . Mr. and Mrs ...
... Mattie . · Stella .. The Sudden Project . — Ernest Rosenvelt , the Tragedian . A Mourner without Hope . · Stella's Startling Disclosure to Mrs. Rosen- velt . — Apathy of the Mother , and Fixed Resolution of the Daughter . Mr. and Mrs ...
Página 10
... Mattie . She looked discon- solately around the spacious apartment , in which the costly appliances of wealth were ranged , not in their customary order , but as best fitted their display for an auction . Thirty years before the period ...
... Mattie . She looked discon- solately around the spacious apartment , in which the costly appliances of wealth were ranged , not in their customary order , but as best fitted their display for an auction . Thirty years before the period ...
Página 11
... Mattie never talked of too much trouble , or too much fatigue ; she always under- took more than any one mortal could possibly accomplish ; and , though her inclination constantly outstripped her strength , she was never wholly baffled ...
... Mattie never talked of too much trouble , or too much fatigue ; she always under- took more than any one mortal could possibly accomplish ; and , though her inclination constantly outstripped her strength , she was never wholly baffled ...
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Términos y frases comunes
50 cents actors actress Albert Allsop Altorf appeared Ariel arms asked audience Belton called child countenance curtain curtsey daugh daughter dear débût Desdemona door dramatic dress ears Edmonton Elma Elma's entered Evadne exclaimed eyes face Fairfax father fear Fisk flowers Floy Gesler Gisippus green-room hand head heart Heaven Higgins hour Hubert Iago Icilius Juliet lady laugh lifted light lips look Lord Oranmore Mattie mind Miss Amory Miss Doran Miss Rosenvelt morning Mortimer Mortimer's mother never night novice Oakland Othello pantomime passed Percy Perdita person play POEMS Pottle Price 75 cents prompter rehearsal replied returned Robin Rolla rose Ruthven scene seat seemed smile soul spirit stage Stella stood Susan sweet Tennent theatre theatrical thee thought Tina Tina's tion tone tragedian Truehart turned uncon uttered Virginia voice walked watch whispered wings words young girl
Pasajes populares
Página 309 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form ; Then have I reason to be fond of grief.
Página 184 - He is dead and gone, lady, He is dead and gone, At his head a grass-green turf, At his heels a stone.
Página 41 - Be not too tame neither, but let your own discretion be your tutor: suit the action to the word, the word to the action; with this special observance, that you o'erstep not the modesty of nature; for anything so overdone is from the purpose of playing, whose end both at the first, and now, was and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
Página 185 - There's fennel for you, and columbines; there's rue for you; and here's some for me; we may call it herb of grace o' Sundays. O, you must wear your rue with a difference. There's a daisy; I would give you some violets, but they withered all when my father died.
Página 186 - And will he not come again? And will he not come again? No, no, he is dead; Go to thy death-bed, He never will come again. His beard was as white as snow All flaxen was his poll, He is gone, he is gone, And we cast away moan: God ha
Página 259 - Only for wantonness. By my Christendom, So I were out of prison, and kept sheep, I should be as merry as the day is long...
Página 281 - Full fathom five thy father lies, Of his bones are coral made : Those are pearls that were his eyes, Nothing of him that doth fade, But doth suffer a sea change, Into something rich and strange.
Página 21 - Happy in this, she is not yet so old But she may learn; happier than this, She is not bred so dull but she can learn; Happiest of all in that her gentle spirit Commits itself to yours to be directed, As from her lord, her governor, her king.
Página 351 - What is a man, If his chief good and market of his time Be but to sleep and feed? a beast, no more. Sure he that made us with such large discourse, Looking before and after, gave us not That capability and god-like reason To fust in us unus'd.
Página 122 - To a babbling wanderer sent ; Like her ordinary cry, Like, but oh, how different ! Hears not also mortal life ? Hear not we, unthinking creatures ! Slaves of folly, love, or strife, Voices of two different natures...